{"id":10004,"date":"2018-03-01T14:55:33","date_gmt":"2018-03-01T22:55:33","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10004"},"modified":"2018-05-16T14:57:09","modified_gmt":"2018-05-16T21:57:09","slug":"watch-jeremy-jouve-play-the-exciting-oulan-bator","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/watch-jeremy-jouve-play-the-exciting-oulan-bator\/","title":{"rendered":"Watch J\u00e9r\u00e9my Jouve Play the Exciting &#8216;Oulan Bator&#8217;"},"content":{"rendered":"<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/J\u00e9r\u00e9my_Jouve\" target=\"_blank\" rel=\"noopener\">J\u00e9r\u00e9my Jouve<\/a> is one of the most inspiring contemporary French guitarists. I&#8217;ve seen him perform a couple of times now, and each time he brought down the house with his version of French composer Mathias Duplessy&#8217;s galloping ode to Mongolia, <em>Oulan Bator<\/em>. A studio recording of the piece can be found on Jouve&#8217;s excellent all-Duplessy album, <a href=\"https:\/\/amzn.to\/2GoqkgB\" target=\"_blank\" rel=\"noopener\">Cavalcade<\/a>.\u00a0\u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>J\u00e9r\u00e9my Jouve is one of the most inspiring contemporary French guitarists. I&#8217;ve seen him perform a couple of times now, and each time he brought down the house with his version of French composer Mathias Duplessy&#8217;s galloping ode to Mongolia, Oulan Bator. A studio recording of the piece can be found on Jouve&#8217;s excellent all-Duplessy album, Cavalcade.\u00a0\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":10005,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-10004","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/Jeremy-Jouve.jpg?fit=600%2C410&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10004"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10004\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10005"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}