{"id":10023,"date":"2018-05-17T16:33:05","date_gmt":"2018-05-17T23:33:05","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10023"},"modified":"2018-05-17T16:33:05","modified_gmt":"2018-05-17T23:33:05","slug":"video-pick-of-the-week-marcin-dylla-and-the-kupinski-guitar-duo-play-mvmt-3-of-ponces-concierto-del-sur","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-marcin-dylla-and-the-kupinski-guitar-duo-play-mvmt-3-of-ponces-concierto-del-sur\/","title":{"rendered":"Video Pick of the Week: Marcin Dylla and the Kupinski Guitar Duo Play Mvmt. 3 of Ponce&#8217;s &#8216;Concierto del Sur&#8217;"},"content":{"rendered":"<p>What a fortuitous find this was: three of my absolute favorite guitarists\u2014<a href=\"http:\/\/www.marcindylla.com\/\" target=\"_blank\" rel=\"noopener\">Marcin Dylla<\/a> and the <a href=\"http:\/\/www.kupinskiguitarduo.com\/\">Kupinski Guitar Duo<\/a> (Dariusz Kupinski and\u00a0Ewa Jablczynska); all Polish musicians\u2014performing together in 2012! The trio sounds incredible on this third movement from Mexican composer Manuel Maria Ponce&#8217;s 1941 <em>Concierto del Sur<\/em> (for guitar and orchestra). The exciting arrangement is by Mr. Kupinski. We&#8217;ve got to get that duo over here\u00a0 to California sometime! \u2014<em>Blair Jackson<\/em><\/p>\n<figure id=\"attachment_10028\" aria-describedby=\"caption-attachment-10028\" style=\"width: 227px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"size-medium wp-image-10028\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/M.M.-Ponce-227x300.jpg?resize=227%2C300\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/M.M.-Ponce.jpg?resize=227%2C300&amp;ssl=1 227w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/M.M.-Ponce.jpg?w=400&amp;ssl=1 400w\" sizes=\"(max-width: 227px) 100vw, 227px\" \/><figcaption id=\"caption-attachment-10028\" class=\"wp-caption-text\">Manuel Ponce wrote the &#8216;Concierto del Sur&#8217; for his good friend Andr\u00e9s Segovia.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>What a fortuitous find this was: three of my absolute favorite guitarists\u2014Marcin Dylla and the Kupinski Guitar Duo (Dariusz Kupinski and\u00a0Ewa Jablczynska); all Polish musicians\u2014performing together in 2012! The trio sounds incredible on this third movement from Mexican composer Manuel Maria Ponce&#8217;s 1941 Concierto del Sur (for guitar and orchestra). The exciting arrangement is by Mr. Kupinski. We&#8217;ve got to get that duo over here\u00a0 to California sometime! \u2014Blair Jackson &nbsp;<\/p>\n","protected":false},"author":11,"featured_media":10025,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-10023","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/dylla-kupinski.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10023"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10023\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10025"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}