{"id":10046,"date":"2018-02-10T11:23:25","date_gmt":"2018-02-10T19:23:25","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10046"},"modified":"2021-07-20T12:43:49","modified_gmt":"2021-07-20T19:43:49","slug":"watch-gaelle-solal-play-villa-lobos-choros-no-1","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/watch-gaelle-solal-play-villa-lobos-choros-no-1\/","title":{"rendered":"Watch Ga\u00eblle Solal Play Villa-Lobos&#8217; &#8216;Choros No. 1&#8217;"},"content":{"rendered":"<p>Talk about versatile! French guitarist <a href=\"http:\/\/www.gaelle-solal.com\/\" target=\"_blank\" rel=\"noopener\">Ga\u00eblle Solal<\/a> has long been an outstanding solo guitarist, taking on repertoire that spans Bach to Dyens, but she also works beautifully with others, as her duo appearances with other guitarists and various colleagues who play bandoneon, piano, and other instruments attest. She&#8217;s up for anything\u2014including comedy, as I learned when I saw her and Boris Gaquere deliver a side-splitting parody of the classical guitar and flamenco worlds as a duo billed as Crazy Nails\u00a0at the GFA convention in Fullerton, California last year. Hilarious!<\/p>\n<p>This clip is a bit more serious\u2014it&#8217;s the old favorite, <em>Choros No. 1<\/em> by Heitor Villa-Lobos\u2014but Solal&#8217;s effervescent personality still shines through on this breezy piece.\u00a0 \u2014<em>Blair Jackson\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Talk about versatile! French guitarist Ga\u00eblle Solal has long been an outstanding solo guitarist, taking on repertoire that spans Bach to Dyens, but she also works beautifully with others, as her duo appearances with other guitarists and various colleagues who play bandoneon, piano, and other instruments attest. She&#8217;s up for anything\u2014including comedy, as I learned when I saw her and Boris Gaquere deliver a side-splitting parody of the classical guitar and flamenco worlds as a duo billed as Crazy Nails\u00a0at [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":10048,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[109],"class_list":["post-10046","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","tag-villa-lobos","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/solal.jpg?fit=1024%2C578&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10046"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10046\/revisions"}],"predecessor-version":[{"id":16577,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10046\/revisions\/16577"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10048"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}