{"id":10056,"date":"2018-02-05T06:08:11","date_gmt":"2018-02-05T14:08:11","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10056"},"modified":"2018-05-18T16:41:50","modified_gmt":"2018-05-18T23:41:50","slug":"watch-chromaduos-cool-conceptual-video-of-ravels-modere-tres-franc","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/watch-chromaduos-cool-conceptual-video-of-ravels-modere-tres-franc\/","title":{"rendered":"Watch ChromaDuo&#8217;s Cool Conceptual Video of Ravel&#8217;s &#8216;Mod\u00e9r\u00e9 tr\u00e8s franc&#8217;"},"content":{"rendered":"<p>Here&#8217;s a piece from one of my favorite albums of 2016, <em>Ravel, Debussy: Music for Two Guitars<\/em> by Canada&#8217;s <a href=\"http:\/\/www.chromaduo.com\/\" target=\"_blank\" rel=\"noopener\">ChromaDuo<\/a> (Tracy Anne Smith and Rob MacDonald).\u00a0 Maurice Ravel (1875\u20131937) and Claude Debussy (1962\u20131918) are about equally represented on the disc, and this piece is the first of Ravel&#8217;s\u00a0<em>Valses nobles et sentimentales,\u00a0<\/em>written for solo piano in 1911. You won&#8217;t actually see the duo perform the piece, but the conceptual video is fun and artful, and the playing is characteristically sublime.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a piece from one of my favorite albums of 2016, Ravel, Debussy: Music for Two Guitars by Canada&#8217;s ChromaDuo (Tracy Anne Smith and Rob MacDonald).\u00a0 Maurice Ravel (1875\u20131937) and Claude Debussy (1962\u20131918) are about equally represented on the disc, and this piece is the first of Ravel&#8217;s\u00a0Valses nobles et sentimentales,\u00a0written for solo piano in 1911. You won&#8217;t actually see the duo perform the piece, but the conceptual video is fun and artful, and the playing is characteristically sublime. &nbsp;<\/p>\n","protected":false},"author":11,"featured_media":10057,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-10056","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/05\/ChromaDuo_2.jpg?fit=759%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10056"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10056\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10057"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}