{"id":10192,"date":"2018-06-17T13:12:28","date_gmt":"2018-06-17T20:12:28","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10192"},"modified":"2018-06-17T13:14:26","modified_gmt":"2018-06-17T20:14:26","slug":"the-return-of-segovia-sunday-the-maestro-plays-the-alegretto-from-torrobas-sonatina","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/the-return-of-segovia-sunday-the-maestro-plays-the-alegretto-from-torrobas-sonatina\/","title":{"rendered":"The Return of Segovia Sunday! The Maestro Plays the Alegretto from Torroba&#8217;s &#8216;Sonatina&#8217;"},"content":{"rendered":"<p>Not sure how we managed to miss this video when we were doing our Sunday Segovia picks a few months back\u2014Torroba&#8217;s <em>Sonatina<\/em> is one of my favorite pieces! Segovia premiered the piece in 1925 and first recorded it in 1927. A second recording came in either 1949 or &#8217;52, and a final time in 1973 (just the &#8216;Alegretto&#8217;). Let&#8217;s remedy that oversight with this sparkling rendition from later in Segovia&#8217;s long life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not sure how we managed to miss this video when we were doing our Sunday Segovia picks a few months back\u2014Torroba&#8217;s Sonatina is one of my favorite pieces! Segovia premiered the piece in 1925 and first recorded it in 1927. A second recording came in either 1949 or &#8217;52, and a final time in 1973 (just the &#8216;Alegretto&#8217;). Let&#8217;s remedy that oversight with this sparkling rendition from later in Segovia&#8217;s long life.<\/p>\n","protected":false},"author":11,"featured_media":10198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-10192","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/06\/segovia.jpg?fit=544%2C306&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10192"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10192\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10198"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}