{"id":10256,"date":"2018-06-23T19:53:08","date_gmt":"2018-06-24T02:53:08","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10256"},"modified":"2018-06-23T19:55:13","modified_gmt":"2018-06-24T02:55:13","slug":"french-revolution-raphael-feuillatre-wins-gfa-icac-competition","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/french-revolution-raphael-feuillatre-wins-gfa-icac-competition\/","title":{"rendered":"French Revolution: Rapha\u00ebl Feuillatre Wins GFA ICAC Competition!"},"content":{"rendered":"<p>Just a quick note to give you the winners of this year&#8217;s Guitar Foundation of America FA: 1. Rapha\u00ebl Feuillatre (France); 2. Bokyung Byon (South Korea); 3. Andrey Lebedev (Australia); 4. Kao Yang (China). All four turned in magnificent performances, so I&#8217;m sure it was a very difficult choice for the judges. I&#8217;ll have more commentary on the finals, as well some discussion of David Russell&#8217;s amazing performance at GFA, and some final thoughts, tomorrow (Sunday) at some point&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just a quick note to give you the winners of this year&#8217;s Guitar Foundation of America FA: 1. Rapha\u00ebl Feuillatre (France); 2. Bokyung Byon (South Korea); 3. Andrey Lebedev (Australia); 4. Kao Yang (China). All four turned in magnificent performances, so I&#8217;m sure it was a very difficult choice for the judges. I&#8217;ll have more commentary on the finals, as well some discussion of David Russell&#8217;s amazing performance at GFA, and some final thoughts, tomorrow (Sunday) at some point&#8230;<\/p>\n","protected":false},"author":11,"featured_media":10258,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-10256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/06\/raphael.jpg?fit=2048%2C1152&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10256"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10256\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10258"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}