{"id":10331,"date":"2018-06-28T16:39:59","date_gmt":"2018-06-28T23:39:59","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10331"},"modified":"2018-06-28T16:40:36","modified_gmt":"2018-06-28T23:40:36","slug":"video-pick-of-the-week-gfa-senior-division-winner-julio-cesar-robles-plays-s-assads-valseana","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-gfa-senior-division-winner-julio-cesar-robles-plays-s-assads-valseana\/","title":{"rendered":"Video Pick of the Week: GFA Senior Division Winner Julio C\u00e9sar Robles Plays S. Assad&#8217;s &#8216;Valseana&#8217;"},"content":{"rendered":"<p>OK, I know it&#8217;s time to leave the Louisville GFA behind, after covering it intensively for a week. But I wanted to leave you with this video of 16-year-old Mexican guitarist\u00a0Julio C\u00e9sar Robles (L\u00f3pez)\u2014winner of the GFA&#8217;s 2018 Senior Division competition\u2014playing a spellbinding version of S\u00e9rgio Assad&#8217;s gorgeous <em>Valseana<\/em>, the middle movement of his 1986 masterpiece, <em>Aquarelle<\/em>. Julio played this in the final round of the competition. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OK, I know it&#8217;s time to leave the Louisville GFA behind, after covering it intensively for a week. But I wanted to leave you with this video of 16-year-old Mexican guitarist\u00a0Julio C\u00e9sar Robles (L\u00f3pez)\u2014winner of the GFA&#8217;s 2018 Senior Division competition\u2014playing a spellbinding version of S\u00e9rgio Assad&#8217;s gorgeous Valseana, the middle movement of his 1986 masterpiece, Aquarelle. Julio played this in the final round of the competition. \u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":10333,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-10331","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/06\/julio.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10331"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10331\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10333"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}