{"id":10354,"date":"2018-07-03T15:17:26","date_gmt":"2018-07-03T22:17:26","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10354"},"modified":"2018-07-05T10:00:53","modified_gmt":"2018-07-05T17:00:53","slug":"celebrating-the-20th-anniversary-of-the-92nd-street-ys-concert-series","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/celebrating-the-20th-anniversary-of-the-92nd-street-ys-concert-series\/","title":{"rendered":"Celebrating the 20th Anniversary of the 92nd Street Y\u2019s Concert Series"},"content":{"rendered":"<h6 class=\"p1\">\bBY JULIA CROWE | <a href=\"https:\/\/store.elizabethl27.sg-host.com\/collections\/featured-products\/products\/no-390-summer-2018\">FROM THE SUMMER 2018 ISSUE OF <em>CLASSICAL GUITAR<\/em><\/a><\/h6>\n<p>The Art of the Guitar series at Manhattan\u2019s 92nd Street Y is celebrating\u00a0its 20th year as a showcase for classical guitar artistry that goes beyond concerts to include the premieres of commissioned new works and even onstage interviews with guitarists. Yale guitar professor Benjamin Verdery has served as Artistic Director of Art of the Guitar since 2007, after its initial launch in 1998 by Juilliard Guitar Department chairperson Sharon Isbin.<\/p>\n<p class=\"p2\"><span class=\"s1\">Under Verdery\u2019s tenure there have been 16 premieres of new works for the guitar by composers such as Egberto Gismonti, Roberto Sierra, Carlos Rafael Rivera, Tan Dun, S\u00e9rgio Assad, Stephen Goss, Frederic Hand, Chen Yi, Johannes M\u00f6ller, Gyan Riley, and Verdery himself.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">This year\u2019s season included the New York premiere of a new untitled work for guitar and string quartet by rock band The National\u2019s Bryce Dessner, co-commissioned by the 92nd Street Y and performed by Verdery and the St. Lawrence String Quartet. And solo guitarist Jorge Caballero performed the world premiere of a piece called <i>Midsummer Love<\/i>.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">\u201cOver 20 years, Art of the Guitar has delighted\u00a0the community of concert-goers and expanded the scope of the instrument for future generations of classical guitarists,\u201d says Hanna Arie-Gaifman, Director of the 92nd Street Y Tisch Center for the Arts.\u00a0\u201cAudiences are consistently thrilled and inspired by the breadth of talent that the extraordinary musicians bring to our stages, not only as performers but as purveyors of virtuosic repertoire from every major style of music. In the spirit of curiosity and personal enrichment which 92Y embodies, our audiences also enjoy a closer connection to the music with free pre-concert talks before every guitar concert, given by Benjamin Verdery.\u201d<i>\u00a0<\/i><\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Verdery, who is entering his tenth year of curating the series next season, says, \u201cIt has been an honor for me to work at one of New York City\u2019s greatest cultural centers, and I have really loved all the wonderful people I have been fortunate to work with. Hanna [Arie-Gaifman], of course, has been a total joy to work with and has taught me much.\u201d<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">His enjoyable pre-concert lectures can be found on YouTube as <a href=\"https:\/\/www.google.com\/search?q=uitar+Talks+with+Benjamin+Verdery&amp;oq=uitar+Talks+with+Benjamin+Verdery&amp;aqs=chrome..69i57.1634j0j7&amp;sourceid=chrome&amp;ie=UTF-8\"><strong>\u201cGuitar Talks with Benjamin Verdery.<\/strong><\/a>\u201d Past artists include <strong><a href=\"https:\/\/www.youtube.com\/watch?v=GitzNDAuRPo\">Eliot Fisk and Paco Pe\u00f1a<\/a><\/strong>, <a href=\"https:\/\/www.youtube.com\/watch?v=AuqZqdVLpO4&amp;t=323s\"><strong>David Russell<\/strong><\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=pvqitrUbVNk\"><strong>Christopher Parkening<\/strong><\/a>, Raphaella Smits (below), and <a href=\"https:\/\/www.youtube.com\/watch?v=i4St2zpfNIk\"><strong>the Los Angeles Guitar Quartet<\/strong><\/a>.<\/span><\/p>\n<p><iframe title=\"Raphaella Smits: Guitar Talks with Benjamin Verdery\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/iCDBlg2qZwo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"p2\"><span class=\"s1\">\u201cInitially, we held the first couple of lectures in our gallery space, which is adjacent to our stunning concert hall,\u201d Verdery says. \u201cAs the word spread, we had to move the lectures into the main hall. After one or two seasons, I thought, \u2018What if I did a pre-concert interview with each artist?\u2019 I figured they could only say no. The first interview of this kind was with Paul Odette. He was so incredibly generous in his answers and, of course, brilliant. So we continued asking artists to interview and, with very few exceptions, they\u2019ve said yes. <\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">\u201cOne event we continue to present is the Guitar Marathon,\u201d he adds. \u201cIt consists of two lengthy concerts\u2014one in the afternoon and one in the evening.\u201d The first Guitar Marathons were curated by New York\u2013based music producer David Spelman. \u201cDavid brought together a wonderful group of artists from all different genres,\u201d Verdery says. \u201cOne that I will especially not forget is the very first Guitar Marathon in 2007 when I met Andy Summers [best known as guitarist for the rock band The Police], who became a dear friend and collaborator.\u201d<\/span><\/p>\n<p class=\"p2\">The 92nd Street Y Guitar Marathons have continued with specific themes and curators over the years. \u201cFor example, S\u00e9rgio Assad curated an extraordinary Marathon celebrating Brazilian guitar music,\u201d Verdery notes. \u201cThat is the moment when New York City guitar-lovers got to hear the now-legendary Yamandu Costa. This past year I curated a Marathon dedicated to the art of guitar arrangements and transcriptions that have shaped our instrument from the past to the present. The incredible guitarists and great friends who participated included the Assads, the Brasil Duo, the Vida Quartet, Ana Vidovic, Jorge Caballero, Paul Galbraith, Max Zuckerman, and myself.\u201d<\/p>\n<p class=\"p2\">Verdery has also created several tribute concerts in the series. \u201cWith Hanna\u2019s help and suggestions, we\u2019ve brought together performers who share a special connection to the artist we are honoring,\u201d he says. \u201cFor example, in the case of the Julian Bream tribute, we opened the concert with Fred Hand, who studied with the maestro. In our Brouwer tribute, we were able to have Odair Assad perform the sonata written for him, and the Eden Stell Guitar Duo, whom we featured in this program, performed the most brilliant interpretation of <i>Per Sone a Due<\/i> I have ever heard.<\/p>\n<p class=\"p2\">\u201cHanna has also shown me the value in nurturing a young performer. If a particular performer resonates with our audience and is someone we feel is developing as an artist, we will tend to bring them back. There are certain artists over the years who are real Y staples and, unsurprisingly, are beloved around the world. We do have a 92Y guitar family and the list is always growing. Many of our guests also perform at local high schools during their visit. The artists get to share their art and lives directly with students, in a less formal manner than the concert hall,\u201d Verdery says.<\/p>\n<p class=\"p2\">Another project that is dear to Verdery is the annual 92nd Street Y Guitar Day. \u201cThe 92nd Street Y also has a thriving music school, as part of the Gilda and Henry Block School of the Arts. At the beginning of my tenure, we instituted Guitar Day as an event that is free and open to the public, offering free mini recitals, lectures and classes, and a variety of performers.\u00a0Last year, with director Yana Stotland, we celebrated women guitarists by featuring Kaki King, Jiji Kim, Sheryl Bailey, and Ann Klein. <span class=\"s1\">What is so special about Guitar Day is that it enables artists, students, and guitar enthusiasts to share their ideas and love for the guitar. All you have to do is show <\/span>up!\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\bBY JULIA CROWE | FROM THE SUMMER 2018 ISSUE OF CLASSICAL GUITAR The Art of the Guitar series at Manhattan\u2019s 92nd Street Y is celebrating\u00a0its 20th year as a showcase for classical guitar artistry that goes beyond concerts to include the premieres of commissioned new works and even onstage interviews with guitarists. Yale guitar professor Benjamin Verdery has served as Artistic Director of Art of the Guitar since 2007, after its initial launch in 1998 by Juilliard Guitar Department chairperson [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10356,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-10354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/07\/92Y-guitar-anniversary-web.jpg?fit=1500%2C1000&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10354"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10354\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10356"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10354"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}