{"id":10504,"date":"2018-07-19T15:54:11","date_gmt":"2018-07-19T22:54:11","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10504"},"modified":"2018-07-19T15:54:35","modified_gmt":"2018-07-19T22:54:35","slug":"video-pick-of-the-week-nadja-jankovic-plays-the-allegro-risoluto-from-paganinis-grand-sonata","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-nadja-jankovic-plays-the-allegro-risoluto-from-paganinis-grand-sonata\/","title":{"rendered":"Video Pick of the Week: Nadja Jankovi\u0107 Plays the Allegro Risoluto from Paganini&#8217;s &#8216;Grand Sonata&#8217;"},"content":{"rendered":"<p>Here&#8217;s a wonderful piece, played beautifully by 17-year-old Montenegrin guitarist\u00a0Nadja Jankovi\u0107. The <em>Grand Sonata<\/em> by Niccol\u00f3 Paganini (1782\u20131840) was originally written for violin and guitar\u2014the composer was highly proficient on both\u2014but has been adapted in our time for solo guitar, as well.\u00a0Jankovi\u0107 is yet another amazing young guitarist who was tutored by the German guitar teacher Stefan Schmidt. No doubt she will soon be conquering audiences all over the world!\u00a0\u2014<em>Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-10507\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/07\/niccolo-paganini.jpg?resize=862%2C485\" alt=\"\" width=\"862\" height=\"485\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/07\/niccolo-paganini.jpg?w=862&amp;ssl=1 862w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/07\/niccolo-paganini.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/07\/niccolo-paganini.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"(max-width: 862px) 100vw, 862px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a wonderful piece, played beautifully by 17-year-old Montenegrin guitarist\u00a0Nadja Jankovi\u0107. The Grand Sonata by Niccol\u00f3 Paganini (1782\u20131840) was originally written for violin and guitar\u2014the composer was highly proficient on both\u2014but has been adapted in our time for solo guitar, as well.\u00a0Jankovi\u0107 is yet another amazing young guitarist who was tutored by the German guitar teacher Stefan Schmidt. No doubt she will soon be conquering audiences all over the world!\u00a0\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":10506,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-10504","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/07\/nadja.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10504"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10504\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10506"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}