{"id":10555,"date":"2018-07-27T16:30:29","date_gmt":"2018-07-27T23:30:29","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10555"},"modified":"2018-07-27T16:30:29","modified_gmt":"2018-07-27T23:30:29","slug":"a-lo-cubano-a-report-from-this-years-miami-international-guitart-festival","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/a-lo-cubano-a-report-from-this-years-miami-international-guitart-festival\/","title":{"rendered":"A Lo Cubano! A Report from This Year’s Miami International GuitART Festival"},"content":{"rendered":"

BY DR. SAM DESMET<\/strong><\/p>\n

In 2016, the first edition of the Miami International GuitArt Festival started out with a limited budget. However, festival director, guitarist, composer, and program coordinator of guitar studies at Florida International University, Mesut \u00d6zgen, managed to attract audiences from Day One with a program that still resonates. Now, three years later, the festival has become a must-attend for many guitar aficionados at the East Coast. This year, the festival featured artists such as Eduardo Martin, Rene Izquierdo, Illiana Matos, Edel Mu\u00f1oz, Martin Pedreira \u2026 You\u2019ve guessed it, this year\u2019s edition was all about the Cuban vibe! As many of you know, Cuba is a mere 228 miles (367 km) across the Caribbean from Miami, and southern Florida has a huge Cuban population, so Cuban culture is deeply ingrained thare.<\/p>\n

As with previous years, GuitArt Festival audiences were able to attend concerts, master classes, a luthier expo, workshops, lectures\u2014and world premieres. Once again the MIGF included a composition competition, and the new addition of the guitar performance competition is hopefully here to stay.<\/p>\n

The opening concert, \u201cA Lo Cubano,\u201d perfectly embodied Chopin\u2019s often quoted remark that \u201cNothing is more beautiful than a guitar, except, possibly two\u201d by featuring guitar solo and duo music by Leo Brouwer, Antonio Rojas, Ernesto Lecuona, Eduardo Martin and Carlos Fari\u00f1as. A world premiere of Fredrick Kaufman\u2019s Catalan Concertante<\/em> for guitar quartet also took place that evening.<\/p>\n

Afternoon concerts were programmed and featured artists such as Edel Mu\u00f1oz (Cuba), Nutavut Ratanakarn (Thailand), and Pierre Bibault (France). Eliot Fisk, Adam Levin, and Iliana Matos presented solo evening concerts. Each of these artists displayed contrasting styles and convinced audiences of the possibilities and wide pallete of colors our instrument has to offer\u2014from avant-garde works by Orlando Jacinto Garcia and Zad Moultaka to classical guitar standards by Dionisio Aguado and J.K. Mertz; from Baroque works by Bach and Scarlatti to a variety of contradanzas<\/em> and original works by various Cuban composers.<\/p>\n

Festival attendants were able to sit in on lectures and workshops by Frank Koonce, David Dolata, Martin Pedreira, Sean Samimi, and Momcilo Aleksandric covering topics such as the ergonomics of guitar-playing, music management and business, Baroque guitar tablature, and aspects of making a recording. Many of these events led to interesting open-table discussions; the composers panel certainly being one of them. If this wasn\u2019t enough, the MIGF offered master classes free to the public and taught by festival artists such as Marcin Dylla, Eliot Fisk, Rene Izquierdo, Iliana Matos, Martin Pedreira, and Adam Levin.<\/p>\n

A Leo Brouwer tribute concert , spanning the maestro\u2019s vast repertoire from a composition career already lasting more than 60 years, was programmed on the third day of the festival. Some highlights of the evening were soloist Eren S\u00fcalp with his interpretation of the Concierto Elegiaco<\/em> for guitar and orchestra, La Mitolog\u00eda de las Aguas<\/em> for flute and guitar performed by the Wabi-Sabi duo, and the guitar quintet starring festival director Dr. \u00d6zgen with the Amernet String Quartet.<\/p>\n

On Friday, the world premiere of Concierto a Tres<\/em> by Carlos Rafael Rivera took place. Commissioned by the MIGF, each movement is dedicated to a different guitar player. Iliana Matos graciously offered to perform the movement dedicated to Denis Azabagic (who was unabke to attend) for its premiere. The other two dedicatees and performers were Rene Izquierdo and Marcin Dylla. The Concierto<\/em> accessibly presented the Afro-Cuban and Pan-American idioms to a broader audience. Throughout the week, conductor Javier Jose Mendoza and the Florida International University Symphony Orchestra worked closely with the featured composer and the artists.<\/p>\n

Here’s a fantastic treat: The MIGF performance of Concierto a Tres, featuring (in order) guitarists Rene Izquierdo, Marcin Dylla, and Iliana Matos:<\/em>
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