{"id":10711,"date":"2018-08-12T06:00:57","date_gmt":"2018-08-12T13:00:57","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10711"},"modified":"2021-06-29T15:31:08","modified_gmt":"2021-06-29T22:31:08","slug":"romero-sunday-6-angel-romero-plays-the-1st-movement-of-the-concierto-de-aranjuez","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/romero-sunday-6-angel-romero-plays-the-1st-movement-of-the-concierto-de-aranjuez\/","title":{"rendered":"Romero Sunday #6: Angel Romero Plays the 1st movement of the &#8216;Concierto de Aranjuez&#8217;"},"content":{"rendered":"<p>There was no way we were going to ignore the Romero family playing Joaqu\u00edn Rodrigo&#8217;s immortal <em>Concierto de Aranjuez<\/em>! After all, the family had a long history with the composer, championing his works, even premiering some, and he was a friend of the family up until his passing in July 1999. Here is an impeccable rendering by Angel Romero of the first movement (Allegro con spirito) of Rodrigo&#8217;s masterwork. Next: the Adagio!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There was no way we were going to ignore the Romero family playing Joaqu\u00edn Rodrigo&#8217;s immortal Concierto de Aranjuez! After all, the family had a long history with the composer, championing his works, even premiering some, and he was a friend of the family up until his passing in July 1999. Here is an impeccable rendering by Angel Romero of the first movement (Allegro con spirito) of Rodrigo&#8217;s masterwork. Next: the Adagio!<\/p>\n","protected":false},"author":11,"featured_media":10715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[269],"class_list":["post-10711","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","tag-aranjuez","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/08\/angel-R-1.jpg?fit=480%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10711"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10711\/revisions"}],"predecessor-version":[{"id":16447,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10711\/revisions\/16447"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10715"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}