{"id":10811,"date":"2018-08-19T07:00:54","date_gmt":"2018-08-19T14:00:54","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=10811"},"modified":"2021-06-29T15:31:02","modified_gmt":"2021-06-29T22:31:02","slug":"romero-sunday-7-pepe-romero-plays-the-moving-adagio-2nd-mvt-from-rodrigos-concierto-de-aranjuez","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/romero-sunday-7-pepe-romero-plays-the-moving-adagio-2nd-mvt-from-rodrigos-concierto-de-aranjuez\/","title":{"rendered":"Romero Sunday #7: Pepe Romero Plays the Moving Adagio (2nd Mvt.) from Rodrigo&#8217;s &#8216;Concierto de Aranjuez&#8217;"},"content":{"rendered":"<p>We continue with the Romero family playing Joaqu\u00edn Rodrigo&#8217;s popular <em>Concierto de Aranjuez<\/em>, with Pepe Romero taking on the famous second movement, &#8216;Adagio.&#8217; I never get tired of this piece; it always has new things to reveal! Next week: We wrap up the <em>Concierto<\/em> with the lively third movement, marked &#8216;Allegro gentile.&#8217;\u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We continue with the Romero family playing Joaqu\u00edn Rodrigo&#8217;s popular Concierto de Aranjuez, with Pepe Romero taking on the famous second movement, &#8216;Adagio.&#8217; I never get tired of this piece; it always has new things to reveal! Next week: We wrap up the Concierto with the lively third movement, marked &#8216;Allegro gentile.&#8217;\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":10813,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[269],"class_list":["post-10811","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","tag-aranjuez","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/08\/pepe-aranjuez.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=10811"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10811\/revisions"}],"predecessor-version":[{"id":16446,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/10811\/revisions\/16446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/10813"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=10811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=10811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=10811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}