{"id":11106,"date":"2018-10-05T14:18:39","date_gmt":"2018-10-05T21:18:39","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=11106"},"modified":"2018-10-05T14:31:16","modified_gmt":"2018-10-05T21:31:16","slug":"video-pick-of-the-week-julia-trintschuk-plays-the-allegro-from-sonata-giocosa-by-joaquin-rodrigo","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-julia-trintschuk-plays-the-allegro-from-sonata-giocosa-by-joaquin-rodrigo\/","title":{"rendered":"Video Pick of the Week: Julia Trintschuk Plays the Allegro from &#8216;Sonata Giocosa&#8217; by Joaqu\u00edn Rodrigo"},"content":{"rendered":"<p>Here&#8217;s a recent video from the fine German guitarist <a href=\"http:\/\/juliatrintschuk.wixsite.com\" target=\"_blank\" rel=\"noopener\">Julia Trintschuk<\/a>, who regales us with an energetic version of\u00a0\u00a0the &#8220;Allegro&#8221; movement from\u00a0Joaqu\u00edn Rodrigo&#8217;s <em>Sonata Giocosa<\/em>\u00a0 (1960, dedicated to Catalan guitarist Renata Tarrag\u00f3, who was the first woman to record Rodrigo&#8217;s <em>Concierto de Aranjuez, <\/em>in 1958). Among the many prizes 21-year-old Julia has won, is first place honors in this year&#8217;s Montenegro International Guitar Festival.\u00a0\u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a recent video from the fine German guitarist Julia Trintschuk, who regales us with an energetic version of\u00a0\u00a0the &#8220;Allegro&#8221; movement from\u00a0Joaqu\u00edn Rodrigo&#8217;s Sonata Giocosa\u00a0 (1960, dedicated to Catalan guitarist Renata Tarrag\u00f3, who was the first woman to record Rodrigo&#8217;s Concierto de Aranjuez, in 1958). Among the many prizes 21-year-old Julia has won, is first place honors in this year&#8217;s Montenegro International Guitar Festival.\u00a0\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":11108,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-11106","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/10\/julia.jpg?fit=730%2C433&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/11106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=11106"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/11106\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/11108"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=11106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=11106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=11106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}