{"id":11583,"date":"2018-11-25T13:20:38","date_gmt":"2018-11-25T21:20:38","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=11583"},"modified":"2018-11-25T13:20:38","modified_gmt":"2018-11-25T21:20:38","slug":"different-duos-sunday-9-rafael-aguirre-guitar-and-claudio-constantini-bandoneon-play-music-from-cinema-paradiso","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/different-duos-sunday-9-rafael-aguirre-guitar-and-claudio-constantini-bandoneon-play-music-from-cinema-paradiso\/","title":{"rendered":"Different Duos Sunday #9: Rafael Aguirre (guitar) and Claudio Constantini (bandoneon) Play Music from &#8216;Cinema Paradiso&#8217;"},"content":{"rendered":"<p>For our Sunday duo treat this week, the great Spanish guitarist <a href=\"https:\/\/www.rafael-aguirre.com\/\" target=\"_blank\" rel=\"noopener\">Rafael Aguirre<\/a> partners with Peruvian bandoneon player <a href=\"https:\/\/www.claudioconstantini.com\/\" target=\"_blank\" rel=\"noopener\">Claudio Constantini<\/a> (who is also a fine pianist) on a beautiful version of the main theme from Italian director Giuseppe Tornatore&#8217;s fantastic, Cannes Film Festival- and Academy Award-winning 1988\u00a0 film, <em>Cinema Paradiso<\/em>; music by the legendary Ennio Morricone. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For our Sunday duo treat this week, the great Spanish guitarist Rafael Aguirre partners with Peruvian bandoneon player Claudio Constantini (who is also a fine pianist) on a beautiful version of the main theme from Italian director Giuseppe Tornatore&#8217;s fantastic, Cannes Film Festival- and Academy Award-winning 1988\u00a0 film, Cinema Paradiso; music by the legendary Ennio Morricone. \u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":11580,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-11583","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/11\/aguirre-and-constantini.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/11583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=11583"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/11583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/11580"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=11583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=11583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=11583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}