{"id":12047,"date":"2019-01-24T09:29:04","date_gmt":"2019-01-24T17:29:04","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12047"},"modified":"2019-01-24T09:29:04","modified_gmt":"2019-01-24T17:29:04","slug":"video-pick-of-the-week-dominika-dawidowska-plays-a-chopin-mazurka","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-dominika-dawidowska-plays-a-chopin-mazurka\/","title":{"rendered":"Video Pick of the Week:  Dominika Dawidowska Plays a Chopin Mazurka"},"content":{"rendered":"<p>Polish guitarist Domenika Dawidowska is currently studying guitar at the Royal Conservatoire of Scotland and lives in Glasgow, Scotland. Here, she plays a fine version of Fr\u00e9d\u00e9ric Chopin&#8217;s hypnotic <em>Mazurka, Op. 68 No. 2,<\/em> originally written for piano. Chopin, of course, was arguably the greatest composer Poland ever produced.\u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Polish guitarist Domenika Dawidowska is currently studying guitar at the Royal Conservatoire of Scotland and lives in Glasgow, Scotland. Here, she plays a fine version of Fr\u00e9d\u00e9ric Chopin&#8217;s hypnotic Mazurka, Op. 68 No. 2, originally written for piano. Chopin, of course, was arguably the greatest composer Poland ever produced.\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":12048,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-12047","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/01\/domenika-e1548350881648.jpg?fit=800%2C450&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12047"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12047\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12048"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}