{"id":12417,"date":"2019-03-01T14:21:50","date_gmt":"2019-03-01T22:21:50","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12417"},"modified":"2019-03-01T14:24:16","modified_gmt":"2019-03-01T22:24:16","slug":"happy-80th-birthday-leo-brouwer","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/happy-80th-birthday-leo-brouwer\/","title":{"rendered":"Happy 80th Birthday, Leo Brouwer!"},"content":{"rendered":"<p>OK, it&#8217;s true that we&#8217;ve posted a lot about Cuban maestro Leo Brouwer in the last year, between our Summer 2018 <em>CG<\/em> <a href=\"http:\/\/classicalguitarmagazine.com\/leo-brouwer-at-80-the-maestro-reflects-on-his-career-as-a-composer-arranger-and-conductor\/\" target=\"_blank\" rel=\"noopener\">cover story<\/a>, our coverage of him at the <a href=\"http:\/\/classicalguitarmagazine.com\/gfa-report-1-brouwer-thu-le-baroque-guitar-and-12-semifinalists-announced\/\" target=\"_blank\" rel=\"noopener\">GFA in Louisville, Kentucky<\/a>, sharing a fascinating <a href=\"http:\/\/classicalguitarmagazine.com\/watch-steve-goss-and-john-williams-interview-leo-brouwer\/\" target=\"_blank\" rel=\"noopener\">onstage interview<\/a> with him by Stephen Goss and John Williams, publishing a <a href=\"http:\/\/classicalguitarmagazine.com\/method-leo-brouwers-challenging-and-modern-danza-caracteristica\/\" target=\"_blank\" rel=\"noopener\">Method column<\/a> with tips on playing Brouwer&#8217;s <em>Danza Caracteristica<\/em>, and reprising a great <a href=\"http:\/\/classicalguitarmagazine.com\/from-the-cg-vault-a-2008-interview-with-leo-brouwer-plus-some-history\/\" target=\"_blank\" rel=\"noopener\">2008 interview<\/a> from\u00a0 the pages of <em>Classical Guitar<\/em>.<\/p>\n<p>But turning 80 is an important milestone we need to celebrate, so join us as we all say: <em>Feliz cumplea\u00f1os, maestro! <\/em>He is SO young at heart, and still creating vital and passionate music!\u00a0\u2014<em>Blair Jackson\u00a0<\/em><\/p>\n<figure id=\"attachment_12419\" aria-describedby=\"caption-attachment-12419\" style=\"width: 541px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"size-full wp-image-12419\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/brouwer-gfa.jpg?resize=541%2C339\" alt=\"\" width=\"541\" height=\"339\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/brouwer-gfa.jpg?w=541&amp;ssl=1 541w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/brouwer-gfa.jpg?resize=300%2C188&amp;ssl=1 300w\" sizes=\"(max-width: 541px) 100vw, 541px\" \/><figcaption id=\"caption-attachment-12419\" class=\"wp-caption-text\">Tengyue &#8216;TY&#8217; Zhang in a master class with Brouwer at the 2018 GFA. Photo: BJ<\/figcaption><\/figure>\n<p><em>Here are performances of four of his works we&#8217;d like to share:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/7eEDuhaA-6k\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/ZapPlB3a444\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/iWHWeJoNQM0\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/MYR6SxJd1IE\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OK, it&#8217;s true that we&#8217;ve posted a lot about Cuban maestro Leo Brouwer in the last year, between our Summer 2018 CG cover story, our coverage of him at the GFA in Louisville, Kentucky, sharing a fascinating onstage interview with him by Stephen Goss and John Williams, publishing a Method column with tips on playing Brouwer&#8217;s Danza Caracteristica, and reprising a great 2008 interview from\u00a0 the pages of Classical Guitar. But turning 80 is an important milestone we need to [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":12422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-12417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/brouwer-e1551478742765.jpg?fit=800%2C544&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12417"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12422"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}