{"id":12456,"date":"2019-03-05T16:28:54","date_gmt":"2019-03-06T00:28:54","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12456"},"modified":"2019-03-06T15:39:33","modified_gmt":"2019-03-06T23:39:33","slug":"guitarist-as-chamber-instrument-week-2-guitar-flute-azuline-duo-plays-maximo-diego-pujols-nubes-de-buenos-aires","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/guitarist-as-chamber-instrument-week-2-guitar-flute-azuline-duo-plays-maximo-diego-pujols-nubes-de-buenos-aires\/","title":{"rendered":"Guitar-as-Chamber-Instrument Week, #2: Guitar-Flute Azuline Duo Plays M\u00e1ximo Diego Pujol’s ‘Nubes de Buenos Aires’"},"content":{"rendered":"

To celebrate (and amplify) the Special Focus section in the new Spring 2019 issue of\u00a0Classical Guitar<\/em>, we\u2019re posting a different video of a guitarist in combination with other instruments all week!<\/p>\n

Here’s a beautifully made, brand-new video from Canada’s Azuline Duo<\/a>\u2014guitarist Emma Rush<\/a> and flautist Sara Traficante\u2014 performing a stellar piece called Nubes de Buenos Aires <\/em>(Clouds of Buenos Aires) by the outstanding and prolific contemporary Argentine composer\u00a0M\u00e1ximo Diego Pujol<\/a>. This one really gives both instruments a chance to shine equally as the duo sails through the piece’s different sections.<\/p>\n

Rush tells us, “The video was done by Cameron Veitch at Blacklake Media in Hamilton [Ontario, where Rush is based].\u00a0 I love his stuff\u2014he works with natural light so well. The Pujol piece is published by Henry Lemoine\u00a0<\/a>\u00a0[U.S. link to purchase the music: Sheet Music Plus<\/a>], and it’s one of two pieces in Dos aires candomberos<\/em>. We first heard it played by the Bandini-Chiacchiaretta Duo<\/a> in a version for guitar and bandoneon, made by the composer.”\u00a0\u2014Blair Jackson<\/em><\/p>\n

\"\"
M\u00e1ximo Diego Pujol<\/figcaption><\/figure>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

To celebrate (and amplify) the Special Focus section in the new Spring 2019 issue of\u00a0Classical Guitar, we\u2019re posting a different video of a guitarist in combination with other instruments all week! Here’s a beautifully made, brand-new video from Canada’s Azuline Duo\u2014guitarist Emma Rush and flautist Sara Traficante\u2014 performing a stellar piece called Nubes de Buenos Aires (Clouds of Buenos Aires) by the outstanding and prolific contemporary Argentine composer\u00a0M\u00e1ximo Diego Pujol. This one really gives both instruments a chance to shine […]<\/p>\n","protected":false},"author":11,"featured_media":12462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-12456","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/azuline-duo.jpeg?fit=720%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12456"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12456\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12462"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}