{"id":12470,"date":"2019-03-06T16:14:44","date_gmt":"2019-03-07T00:14:44","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12470"},"modified":"2019-03-06T18:29:22","modified_gmt":"2019-03-07T02:29:22","slug":"guitar-as-chamber-instrument-week-2-pascal-bournet-and-cindy-descamps-clarinet-play-piazzollas-emotional-oblivion","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/guitar-as-chamber-instrument-week-2-pascal-bournet-and-cindy-descamps-clarinet-play-piazzollas-emotional-oblivion\/","title":{"rendered":"Guitar-as-Chamber-Instrument Week, #3: Pascal Bournet and Cindy Descamps (clarinet) Play Piazzolla&#8217;s Emotional &#8216;Oblivion&#8217;"},"content":{"rendered":"<p>To celebrate (and amplify) the Special Focus section in the new Spring 2019 issue of <em>Classical Guitar<\/em>, we&#8217;re posting a different video of a guitarist in combination with other instruments all week!<\/p>\n<p>Paris-born guitarist <a href=\"http:\/\/www.pascalbournet.info\/pages\/biography?language=en\" target=\"_blank\" rel=\"noopener\">Patrick Bournet<\/a> has lived in Argentina, so it&#8217;s no surprise that he has been influenced by the great Astor Piazzolla. Although Bournet has been around for decades, I first heard him on an excellent disc he made a couple of years ago called <a href=\"https:\/\/open.spotify.com\/artist\/04trzitohVPo0yzM394sxX\" target=\"_blank\" rel=\"noopener\"><em>Tango Paris-Buenos Aires<\/em><\/a>, which also featured\u00a0 violinist Corinne Basseux and clarinetist Cindy Descamps on several tracks each, playing music by Piazzolla, Adrian Politi, and Bornet himself. That album contained a moving version of Piazzolla&#8217;s <em>Oblivion<\/em> featuring Bournet and Descamps and then recently I found this video of the pair playing it. The clarinet seems to work well with Piazzolla, as it shares a timbral similarity (at times) to the composer&#8217;s instrument of choice: the bandoneon.\u00a0\u2014<em>Blair Jackson<\/em><\/p>\n<figure id=\"attachment_12475\" aria-describedby=\"caption-attachment-12475\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"size-full wp-image-12475\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/astor-e1551917603263.jpg?resize=750%2C503\" alt=\"\" width=\"750\" height=\"503\" \/><figcaption id=\"caption-attachment-12475\" class=\"wp-caption-text\">Astor Piazzolla<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To celebrate (and amplify) the Special Focus section in the new Spring 2019 issue of Classical Guitar, we&#8217;re posting a different video of a guitarist in combination with other instruments all week! Paris-born guitarist Patrick Bournet has lived in Argentina, so it&#8217;s no surprise that he has been influenced by the great Astor Piazzolla. Although Bournet has been around for decades, I first heard him on an excellent disc he made a couple of years ago called Tango Paris-Buenos Aires, [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":12474,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-12470","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/Bournet-and-descamps-800x528.jpg?fit=800%2C528&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12470"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12470\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12474"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}