{"id":12496,"date":"2019-03-09T14:43:19","date_gmt":"2019-03-09T22:43:19","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12496"},"modified":"2019-03-09T14:55:43","modified_gmt":"2019-03-09T22:55:43","slug":"guitar-as-chamber-instrument-week-6-guitar-cello-duo-vitare-play-dusan-bogdanovics-quatre-pieces-intimes-mvts-iii-iv","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/guitar-as-chamber-instrument-week-6-guitar-cello-duo-vitare-play-dusan-bogdanovics-quatre-pieces-intimes-mvts-iii-iv\/","title":{"rendered":"Guitar-as-Chamber-Instrument Week, #6: Guitar-Cello Duo Vitare Play Du\u0161an Bogdanovic’s ‘Quatre pi\u00e8ces intimes (Mvts. III & IV)’"},"content":{"rendered":"

To celebrate (and amplify) the Special Focus section in the new Spring 2019 issue of\u00a0Classical Guitar<\/em>, we\u2019re posting a different video of a guitarist in combination with other instruments all week.<\/p>\n

One of the musicians we interviewed for our big article<\/a> about the guitar-as-chamber-instrument is Du\u0161an Bogdanovic<\/a>, who wrote our featured piece today, Quatre pi\u00e8ces intimes<\/em> <\/a>(movements three and four), performed in this very creative video by Duo Vitare<\/a>: Finnish guitarist Kimmo Rahunen and Polish cellist Agnieszka Kotulska-Rahunen. Popular all over Europe, the duo met in 2005 in Weimar, Germany, when they were both students at the Hochschule f\u00fcr Musik Franz Liszt. Their first album, Canzonetta Italiana: Original 19th Century Duos for Cello and Guitar<\/em><\/a> came out in 2014. Both play in a number of different chamber aggregations, and they co-founded and serve as artistic directors\u00a0 for Finland’s annual Luomus Chamber Music Festival. \u2014Blair Jackson<\/em><\/p>\n

\"\"
Du\u0161an Bogdanovic<\/figcaption><\/figure>\n
<\/h6>\n","protected":false},"excerpt":{"rendered":"

To celebrate (and amplify) the Special Focus section in the new Spring 2019 issue of\u00a0Classical Guitar, we\u2019re posting a different video of a guitarist in combination with other instruments all week. One of the musicians we interviewed for our big article about the guitar-as-chamber-instrument is Du\u0161an Bogdanovic, who wrote our featured piece today, Quatre pi\u00e8ces intimes (movements three and four), performed in this very creative video by Duo Vitare: Finnish guitarist Kimmo Rahunen and Polish cellist Agnieszka Kotulska-Rahunen. Popular all […]<\/p>\n","protected":false},"author":11,"featured_media":12502,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,1,7],"tags":[],"class_list":["post-12496","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-uncategorized","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/duo-vitare-e1552170851121.jpg?fit=800%2C450&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12496"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12496\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12502"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}