{"id":12511,"date":"2019-03-10T09:23:07","date_gmt":"2019-03-10T16:23:07","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12511"},"modified":"2019-03-10T09:27:15","modified_gmt":"2019-03-10T16:27:15","slug":"guitar-as-chamber-instrument-week-7-csaba-szabo-and-the-accord-quartet-play-faures-pavane-op-50","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/guitar-as-chamber-instrument-week-7-csaba-szabo-and-the-accord-quartet-play-faures-pavane-op-50\/","title":{"rendered":"Guitar-as-Chamber-Instrument Week, #7: Csaba Szab\u00f3 and the Accord Quartet Play Faur\u00e9’s ‘Pavane, Op. 50’"},"content":{"rendered":"

We close out our week-long celebration of the guitar-as-chamber instrument (inspired by the Special Focus section in the Spring ’19 issue on that subject), with a terrific performance of French composer Gabriel Faur\u00e9’s\u00a0 wonderful Pavane, Op. 50<\/em><\/a>, arranged for guitar and string quartet by Thomas K\u00f6nigs, and played expertly by a quintet of Hungarian musicians: guitarist Csaba Szab\u00f3 and the Accord Quartet (P\u00e9ter Mezo and Csongor Ve\u00e9r, violins; P\u00e9ter Kondor, viola; M\u00e1ty\u00e1s \u00d6lveti, cello). The quintet’s recording of the Faur\u00e9 work appears on their 2013 album\u00a0Pick Up the Pieces!<\/a>. This also serves as a nice lead-in to one of our next postings from that issue’s Special Focus: a history of the guitar and string quartet combination. \u2014Blair Jackson<\/em><\/p>\n

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Gabriel Faur\u00e9 (1845-1924)<\/figcaption><\/figure>\n

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We close out our week-long celebration of the guitar-as-chamber instrument (inspired by the Special Focus section in the Spring ’19 issue on that subject), with a terrific performance of French composer Gabriel Faur\u00e9’s\u00a0 wonderful Pavane, Op. 50, arranged for guitar and string quartet by Thomas K\u00f6nigs, and played expertly by a quintet of Hungarian musicians: guitarist Csaba Szab\u00f3 and the Accord Quartet (P\u00e9ter Mezo and Csongor Ve\u00e9r, violins; P\u00e9ter Kondor, viola; M\u00e1ty\u00e1s \u00d6lveti, cello). The quintet’s recording of the Faur\u00e9 […]<\/p>\n","protected":false},"author":11,"featured_media":12520,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-12511","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/csaba-szabo-e1552235215135.jpg?fit=800%2C450&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12511"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12511\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12520"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}