{"id":12531,"date":"2019-03-14T16:59:23","date_gmt":"2019-03-14T23:59:23","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12531"},"modified":"2019-03-13T15:06:34","modified_gmt":"2019-03-13T22:06:34","slug":"video-richard-reynoso-inspired-by-art-deco-l-a","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-richard-reynoso-inspired-by-art-deco-l-a\/","title":{"rendered":"VIDEO: Richard Reynoso inspired by Art Deco L.A."},"content":{"rendered":"<p><em>Sponsored by <a href=\"https:\/\/www.guitarsalon.com\">Guitar Salon International\u00a0<\/a><\/em><\/p>\n<p>The classical guitars of Richard Reynoso are traditionally\u00a0constructed and largely inspired by the great\u00a0Spanish makers. Still, they have\u00a0a voice and personality that is entirely his own. In this video, see how\u00a0Richard\u2019s artistic style is informed by his immediate environment: the classic\u00a0architecture in Hollywood and\u00a0the iconic historical buildings of the art deco\u00a0era in L.A.<\/p>\n<p><a href=\"https:\/\/www.guitarsalon.com\/blog\/?p=27293\">Watch Now.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sponsored by Guitar Salon International\u00a0 The classical guitars of Richard Reynoso are traditionally\u00a0constructed and largely inspired by the great\u00a0Spanish makers. Still, they have\u00a0a voice and personality that is entirely his own. In this video, see how\u00a0Richard\u2019s artistic style is informed by his immediate environment: the classic\u00a0architecture in Hollywood and\u00a0the iconic historical buildings of the art deco\u00a0era in L.A. Watch Now.<\/p>\n","protected":false},"author":16,"featured_media":12533,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-12531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/03\/GSI-sponsored-story.jpg?fit=740%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12531"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12531\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12533"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}