{"id":12857,"date":"2019-04-25T16:40:26","date_gmt":"2019-04-25T23:40:26","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=12857"},"modified":"2019-04-25T16:40:26","modified_gmt":"2019-04-25T23:40:26","slug":"video-pick-of-the-week-mabel-millan-plays-cancion-y-danza-no-1-by-antonio-ruiz-pipo","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-mabel-millan-plays-cancion-y-danza-no-1-by-antonio-ruiz-pipo\/","title":{"rendered":"Video Pick of the Week: Mabel Mill\u00e1n Plays &#8216;Canci\u00f3n y Danza No. 1&#8217; by Antonio Ruiz-Pip\u00f3"},"content":{"rendered":"<p>A year ago, in the Summer 2018 issue of <em>Classical Guitar,<\/em> we <a href=\"http:\/\/classicalguitarmagazine.com\/mabel-millan-and-her-grammy-winning-brouwer-recording\/\" target=\"_blank\" rel=\"noopener\">published a profile<\/a> of the superb Spanish classical guitarist <a href=\"https:\/\/isabelmariasanchezmillan.weebly.com\/\" target=\"_blank\" rel=\"noopener\">Mabel Mill\u00e1n,\u00a0<\/a> who at that point was still basking in the glow of being associated with a Grammy Award given to composer Leo Brouwer for <span class=\"s1\">Best Classical Contemporary Composition<\/span> for Mill\u00e1n&#8217;s recording of his <span class=\"s1\"><i>Sonata del Decamer\u00f3n Negro<\/i><\/span>. For this week&#8217;s Video Pick, Mill\u00e1n goes a little more mainstream, with a wonderful performance of <em>Canci\u00f3n y Danza No. 1<\/em> by the great Spanish composer and virtuoso pianist Antonio Ruiz-Pip\u00f3 (1934\u20131997). You can hear Mill\u00e1n&#8217;s most recent album, <em>Gran Recital,<\/em> on <a href=\"https:\/\/open.spotify.com\/album\/7I4vxo2uyjaYNZus2P8hLx\" target=\"_blank\" rel=\"noopener\">Spotify,<\/a> among other places. It contains the Brouwer piece, but not this one. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A year ago, in the Summer 2018 issue of Classical Guitar, we published a profile of the superb Spanish classical guitarist Mabel Mill\u00e1n,\u00a0 who at that point was still basking in the glow of being associated with a Grammy Award given to composer Leo Brouwer for Best Classical Contemporary Composition for Mill\u00e1n&#8217;s recording of his Sonata del Decamer\u00f3n Negro. For this week&#8217;s Video Pick, Mill\u00e1n goes a little more mainstream, with a wonderful performance of Canci\u00f3n y Danza No. 1 [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":12859,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-12857","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/04\/mabelmillan.jpg?fit=792%2C510&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=12857"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/12857\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/12859"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=12857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=12857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=12857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}