{"id":13098,"date":"2019-06-06T15:40:46","date_gmt":"2019-06-06T22:40:46","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=13098"},"modified":"2019-06-06T15:40:46","modified_gmt":"2019-06-06T22:40:46","slug":"happy-birthday-marcin-dylla-watch-him-play-giulianis-full-sonata-op-15","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/happy-birthday-marcin-dylla-watch-him-play-giulianis-full-sonata-op-15\/","title":{"rendered":"Happy Birthday, Marcin Dylla! Watch Him Play Giuliani&#8217;s Full &#8216;Sonata, Op. 15&#8217;"},"content":{"rendered":"<p><a href=\"http:\/\/www.marcindylla.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Marcin Dylla<\/a> has been one of my favorite guitarists since I first saw him perform live several years ago in San Francisco. To honor him on his birthday (June 6), here is the Polish maestro playing the complete <em>Sonata, Op. 15<\/em> by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mauro_Giuliani\" target=\"_blank\" rel=\"noopener noreferrer\">Mauro Giuliani<\/a> at the <a href=\"https:\/\/plevenguitarfestival.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Plevin Guitar Festival<\/a> in Bulgaria in 2018. Passion, precision, subtlety, incredible dynamics; it doesn&#8217;t get much better than this! \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marcin Dylla has been one of my favorite guitarists since I first saw him perform live several years ago in San Francisco. To honor him on his birthday (June 6), here is the Polish maestro playing the complete Sonata, Op. 15 by Mauro Giuliani at the Plevin Guitar Festival in Bulgaria in 2018. Passion, precision, subtlety, incredible dynamics; it doesn&#8217;t get much better than this! \u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":13100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-13098","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/06\/marcin-dylla-e1559860646800.jpg?fit=800%2C450&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=13098"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13098\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/13100"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=13098"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=13098"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=13098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}