{"id":13559,"date":"2019-08-22T16:37:06","date_gmt":"2019-08-22T23:37:06","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=13559"},"modified":"2019-08-22T16:40:53","modified_gmt":"2019-08-22T23:40:53","slug":"video-pick-of-the-week-runar-kjeldsberg-plays-etude-no-4-by-charles-doisy-on-an-1830-guitar","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-runar-kjeldsberg-plays-etude-no-4-by-charles-doisy-on-an-1830-guitar\/","title":{"rendered":"Video Pick of the Week: Runar Kjeldsberg Plays &#8216;Etude No. 4&#8217; by Charles Doisy on an 1830 Guitar"},"content":{"rendered":"<p>In keeping with the Special Focus theme of the Summer 2019 issue of <em>CG<\/em>\u2014Guitar Methods\u2014we&#8217;re delighted to present this newly minted video of the talented Norwegian guitarist <a href=\"http:\/\/www.runarkjeldsberg.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Runar Kjeldsberg<\/a> performing one of the etudes written by late-18th\/early-19th century French composer and guitarist Charles Doisy, on an 1830 Gennaro Fabricatore guitar. As Kjeldsberg notes:<\/p>\n<p>&#8220;Charles Doisy was a five string guitar virtuoso, who passed away in Paris in 1807. His method, <em>Principe G\u00e9n\u00e9raux de la Guitare<\/em>, contains lots of valuable information about performance practice of music written in his times. In the back of <em>Principes G\u00e9n\u00e9raux<\/em> there are 14 &#8216;Etudes pour la Guitare.&#8217; I found them very interesting both technically and musically. Not only are they good studies, they also tell us a lot about what Charles Doisy thought was important to work on to become a good musician. I hope you as a listener also find this music interesting. I have chosen to begin my journey with the goal of recording all 14 Doisy studies, and share them with the world.&#8221;<\/p>\n<p>Indeed, Kjeldsberg has several of the Doisy etudes up on YouTube; all of them impressive works, and nicely shot and recorded. I first encountered Kjedlsberg a couple of years ago when he completed his masterful three-CD series of recordings of guitar works by Fran\u00e7ois de Fossa. You can read my interview with him about that project <a href=\"https:\/\/classicalguitarmagazine.com\/the-genius-of-francois-de-fossa\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. He&#8217;s really doing important work in the field of early Romantic guitar! \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In keeping with the Special Focus theme of the Summer 2019 issue of CG\u2014Guitar Methods\u2014we&#8217;re delighted to present this newly minted video of the talented Norwegian guitarist Runar Kjeldsberg performing one of the etudes written by late-18th\/early-19th century French composer and guitarist Charles Doisy, on an 1830 Gennaro Fabricatore guitar. As Kjeldsberg notes: &#8220;Charles Doisy was a five string guitar virtuoso, who passed away in Paris in 1807. His method, Principe G\u00e9n\u00e9raux de la Guitare, contains lots of valuable information [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":13562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-13559","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/08\/Runar.jpg?fit=883%2C614&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=13559"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13559\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/13562"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=13559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=13559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=13559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}