{"id":13666,"date":"2019-09-12T16:55:52","date_gmt":"2019-09-12T23:55:52","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=13666"},"modified":"2019-09-09T16:15:41","modified_gmt":"2019-09-09T23:15:41","slug":"premiere-andrew-york-performs-numen-suite-on-1864-torres","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/premiere-andrew-york-performs-numen-suite-on-1864-torres\/","title":{"rendered":"Premiere: Andrew York performs \u201cNumen Suite\u201d on 1864 Torres"},"content":{"rendered":"<p><em>From our friends at <a href=\"https:\/\/www.guitarsalon.com\/blog\/?p=29440\">GSI:<\/a><\/em><\/p>\n<p>Andrew York went back to his 1994 album \u201cDenouement\u201d and revisited his piece \u201cNumen\u201d, which he then decided to expand on by adding 4 movements to it. The entire work is aptly titled \u201cNumen Suite\u201d, and it includes: I. Numen, II. Lumen, III. Menhir and IV. Numina. Although York has performed this piece recently in concert, this is the recorded premiere captured in the GSI showroom. Enjoy the complete performance played on a very rare, collectible <a href=\"https:\/\/www.guitarsalon.com\/store\/p5792-1864-antonio-de-torres-spcsar.html\">1864\u00a0Antonio de Torres<\/a><\/p>\n<p><a href=\"https:\/\/www.guitarsalon.com\/blog\/?p=29440\">Watch Now.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From our friends at GSI: Andrew York went back to his 1994 album \u201cDenouement\u201d and revisited his piece \u201cNumen\u201d, which he then decided to expand on by adding 4 movements to it. The entire work is aptly titled \u201cNumen Suite\u201d, and it includes: I. Numen, II. Lumen, III. Menhir and IV. Numina. Although York has performed this piece recently in concert, this is the recorded premiere captured in the GSI showroom. Enjoy the complete performance played on a very rare, [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":13667,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-13666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/09\/GSI-sponsored-story-image.jpg?fit=640%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=13666"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13666\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/13667"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=13666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=13666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=13666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}