{"id":13689,"date":"2019-09-19T16:55:06","date_gmt":"2019-09-19T23:55:06","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=13689"},"modified":"2019-09-17T15:40:56","modified_gmt":"2019-09-17T22:40:56","slug":"biasini-competition-2020-returns-to-bologna","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/biasini-competition-2020-returns-to-bologna\/","title":{"rendered":"Biasini Competition 2020 returns to Bologna"},"content":{"rendered":"<p><em>Sponsored by the <a href=\"https:\/\/www.guitarcompetitionbiasini.com\">Biasini Guitar Competition &amp; Festival<\/a>:<\/em><\/p>\n<p>The Biasini Guitar Competition &amp; Festival &#8211; cciMB returns to Bologna, Italy, for its 5th edition to be held from\u00a02 to 6 October 2020. The final round at the\u00a0Teatro Comunale di Bologna\u00a0includes a guitar concerto with the theater\u2019s\u00a0orchestra\u00a0and a new composition by the Argentinian composer\u00a0Alex Nante. Total prize money is\u00a0\u20ac 20 000.<\/p>\n<p><a href=\"https:\/\/www.guitarcompetitionbiasini.com\">Learn More.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sponsored by the Biasini Guitar Competition &amp; Festival: The Biasini Guitar Competition &amp; Festival &#8211; cciMB returns to Bologna, Italy, for its 5th edition to be held from\u00a02 to 6 October 2020. The final round at the\u00a0Teatro Comunale di Bologna\u00a0includes a guitar concerto with the theater\u2019s\u00a0orchestra\u00a0and a new composition by the Argentinian composer\u00a0Alex Nante. Total prize money is\u00a0\u20ac 20 000. Learn More.<\/p>\n","protected":false},"author":16,"featured_media":13690,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-13689","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/09\/e-News-Featured-Story-Classical-Guitar-Magazin_740x360.jpg?fit=740%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=13689"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13689\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/13690"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=13689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=13689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=13689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}