{"id":13693,"date":"2019-09-19T16:57:04","date_gmt":"2019-09-19T23:57:04","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=13693"},"modified":"2019-09-18T13:05:30","modified_gmt":"2019-09-18T20:05:30","slug":"great-live-sound-ask-the-lagq","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/great-live-sound-ask-the-lagq\/","title":{"rendered":"Great Live Sound? Ask the LAGQ"},"content":{"rendered":"<p><em>Sponsored by <a href=\"https:\/\/www.stringsbymail.com\/the2micpro-tourmic-wireless-dual-soundhole-mic-22274.html\">Strings by Mail<\/a>:<\/em><\/p>\n<p>\u201cTourMic\u2122 is a brilliant solution for stealth amplification!\u201d (Los Angeles Guitar Quartet)<\/p>\n<p>Evolved from the2Mic\u2122, the new wireless TourMic\u2122 expands the dream for classical and flamenco guitarists of a discreet on-board amplification system that reproduces the highest sound quality, without feedback, wireless from the guitar with no belt pack, no modification to the instrument, and simple one-time installation.<\/p>\n<p><a href=\"https:\/\/www.stringsbymail.com\/the2micpro-tourmic-wireless-dual-soundhole-mic-22274.html\">Learn More.<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sponsored by Strings by Mail: \u201cTourMic\u2122 is a brilliant solution for stealth amplification!\u201d (Los Angeles Guitar Quartet) Evolved from the2Mic\u2122, the new wireless TourMic\u2122 expands the dream for classical and flamenco guitarists of a discreet on-board amplification system that reproduces the highest sound quality, without feedback, wireless from the guitar with no belt pack, no modification to the instrument, and simple one-time installation. Learn More. &nbsp;<\/p>\n","protected":false},"author":16,"featured_media":13694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-13693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/09\/TourMic-release-720x360.jpg?fit=720%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=13693"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13693\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/13694"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=13693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=13693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=13693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}