{"id":13724,"date":"2019-09-29T12:42:18","date_gmt":"2019-09-29T19:42:18","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=13724"},"modified":"2019-09-29T12:42:18","modified_gmt":"2019-09-29T19:42:18","slug":"video-pick-of-the-week-marco-tamayo-and-anabel-montesinos-play-boccherinis-intoduction-and-fandango","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-marco-tamayo-and-anabel-montesinos-play-boccherinis-intoduction-and-fandango\/","title":{"rendered":"Video Pick of the Week: Marco Tamayo and Anabel Montesinos Play Boccherini&#8217;s &#8216;Intoduction and Fandango&#8217;"},"content":{"rendered":"<p>This week&#8217;s Pick is a fine version of the &#8220;Introduction and Fandango&#8221; by Luigi Boccherini (1743\u20131805), adapted from his popular <em>Guitar Quintet No. 4 in D major, G448<\/em>, in an arrangement by Cuban-born Austria-based guitarist <a href=\"http:\/\/www.marcotamayoedition.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Marco Tamayo<\/a>, who plays it here with his wife, the excellent Spanish guitarist <a href=\"https:\/\/classicalguitarmagazine.com\/anabel-montesinos-takes-the-spirit-of-catalonia-everywhere-she-goes\/\" target=\"_blank\" rel=\"noopener noreferrer\">Anabel Montesinos <\/a>at a festival in Italy in 2017. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s Pick is a fine version of the &#8220;Introduction and Fandango&#8221; by Luigi Boccherini (1743\u20131805), adapted from his popular Guitar Quintet No. 4 in D major, G448, in an arrangement by Cuban-born Austria-based guitarist Marco Tamayo, who plays it here with his wife, the excellent Spanish guitarist Anabel Montesinos at a festival in Italy in 2017. \u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":13728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-13724","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/09\/tamayo-montesinos.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=13724"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/13724\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/13728"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=13724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=13724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=13724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}