{"id":14001,"date":"2019-11-09T16:07:25","date_gmt":"2019-11-10T00:07:25","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14001"},"modified":"2019-11-09T16:07:25","modified_gmt":"2019-11-10T00:07:25","slug":"video-pick-of-the-week-thomas-athanaselos-plays-his-exquisite-fantasia-y-mirada","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-thomas-athanaselos-plays-his-exquisite-fantasia-y-mirada\/","title":{"rendered":"Video Pick of the Week: Thomas Athanaselos Plays His Exquisite &#8216;Fantasia y mirada&#8217;"},"content":{"rendered":"<p>I really like this recent composition by the fine Greek guitarist and composer <a href=\"https:\/\/www.athanaselos.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Thomas Athanaselos<\/a>. His <em>Fantasia y mirada<\/em> is full of lovely Spanish touches, including an extended passage where some deft tremolo work plays under a pretty melody. This one sounds like it would be both fun and challenging to play; the Bergmann Edition score is available as a PDF or print-on-demand through <a href=\"https:\/\/bergmann-edition.com\/products\/athanaselos-fantasia-y-mirada?_pos=4&amp;_sid=dc46ec541&amp;_ss=r\" target=\"_blank\" rel=\"noopener noreferrer\">Athanaselos&#8217; website<\/a>. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I really like this recent composition by the fine Greek guitarist and composer Thomas Athanaselos. His Fantasia y mirada is full of lovely Spanish touches, including an extended passage where some deft tremolo work plays under a pretty melody. This one sounds like it would be both fun and challenging to play; the Bergmann Edition score is available as a PDF or print-on-demand through Athanaselos&#8217; website. \u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":14003,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-14001","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2019\/11\/athanaselos-e1573344154971.jpg?fit=800%2C450&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14001"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14001\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14003"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}