{"id":14208,"date":"2020-01-23T16:55:37","date_gmt":"2020-01-24T00:55:37","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14208"},"modified":"2020-01-06T10:49:00","modified_gmt":"2020-01-06T18:49:00","slug":"artistic-director-manuel-barrueco-announces-the-baltimore-international-guitar-competition","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/artistic-director-manuel-barrueco-announces-the-baltimore-international-guitar-competition\/","title":{"rendered":"Artistic Director Manuel Barrueco announces the Baltimore International Guitar Competition!"},"content":{"rendered":"<p><em>Sponsored by the Baltimore International Guitar Competition:<\/em><\/p>\n<p><u><a href=\"http:\/\/www.BaltimoreGuitarCompetition.org\">www.BaltimoreGuitarCompetition.org<\/a><\/u><\/p>\n<p>More than $60,000 in prizes await the world\u2019s most outstanding young guitarists.\u00a0Open to classical guitarists ages 15-32.<\/p>\n<p>First round is a video submission, no travel is needed. Video application deadline: July 10, 2020.<\/p>\n<p><a href=\"http:\/\/www.BaltimoreGuitarCompetition.org\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><u>CLICK HERE<\/u><\/strong><\/a>\u00a0for details and repertoire requirements!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sponsored by the Baltimore International Guitar Competition: www.BaltimoreGuitarCompetition.org More than $60,000 in prizes await the world\u2019s most outstanding young guitarists.\u00a0Open to classical guitarists ages 15-32. First round is a video submission, no travel is needed. Video application deadline: July 10, 2020. CLICK HERE\u00a0for details and repertoire requirements!<\/p>\n","protected":false},"author":16,"featured_media":14229,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19,1],"tags":[],"class_list":["post-14208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/01\/E-news-frame_640px.jpg?fit=640%2C311&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14208"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14208\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14229"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}