{"id":14289,"date":"2020-03-19T16:45:34","date_gmt":"2020-03-19T23:45:34","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14289"},"modified":"2020-03-18T17:15:11","modified_gmt":"2020-03-19T00:15:11","slug":"alvarez-cadiz-designed-in-andalusia-spain","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/alvarez-cadiz-designed-in-andalusia-spain\/","title":{"rendered":"Alvarez C\u00e1diz: Designed in Andalusia, Spain"},"content":{"rendered":"<p><em>Sponsored by Alvarez Guitars:<\/em><\/p>\n<p>In developing our new Classical and Flamenco guitars we started our journey in C\u00e1diz, the beautiful most southern province in Andalusia and the home of the Classical guitar, our aim was to learn more about the history, the music and construction of these amazing instruments before embarking on R&amp;D.<\/p>\n<p><a href=\"https:\/\/www.alvarezguitars.com\/instruments\/cadiz-series\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Learn more about the C\u00e1diz Series<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sponsored by Alvarez Guitars: In developing our new Classical and Flamenco guitars we started our journey in C\u00e1diz, the beautiful most southern province in Andalusia and the home of the Classical guitar, our aim was to learn more about the history, the music and construction of these amazing instruments before embarking on R&amp;D. Learn more about the C\u00e1diz Series<\/p>\n","protected":false},"author":16,"featured_media":14290,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-14289","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-sponsored","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/01\/Alvarez-sponsored-story_640x360.png?fit=640%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14289"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14289\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14290"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}