{"id":14422,"date":"2020-02-23T12:16:53","date_gmt":"2020-02-23T20:16:53","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14422"},"modified":"2020-02-23T12:17:14","modified_gmt":"2020-02-23T20:17:14","slug":"video-pick-of-the-week-andrea-gonzalez-caballero-plays-isaac-albenizs-cataluna","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-andrea-gonzalez-caballero-plays-isaac-albenizs-cataluna\/","title":{"rendered":"Video Pick of the Week: Andrea Gonzalez Caballero Plays Isaac Alb\u00e9niz&#8217;s &#8216;Catalu\u00f1a&#8217;"},"content":{"rendered":"<p>Not much explication is needed for this Pick, as the featured piece\u2014Isaac Alb\u00e9niz&#8217;s <em>Catalu\u00f1a, <\/em>from his epic multi-part work, <em>Suite espa\u00f1ola, Op. 47, <\/em>no doubt familiar to most of you<em>\u2014<\/em>is played here by a guitarist we&#8217;ve featured occasionally in this space\u2014the Spaniard Andrea Gonzalez Caballero. I was delighted to finally meet Ms. Caballero at a Manuel Barrueco concert in San Francisco last year; the previous night she had played her own concert in nearby San Jose. This performance is from a concert in Germany last fall. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not much explication is needed for this Pick, as the featured piece\u2014Isaac Alb\u00e9niz&#8217;s Catalu\u00f1a, from his epic multi-part work, Suite espa\u00f1ola, Op. 47, no doubt familiar to most of you\u2014is played here by a guitarist we&#8217;ve featured occasionally in this space\u2014the Spaniard Andrea Gonzalez Caballero. I was delighted to finally meet Ms. Caballero at a Manuel Barrueco concert in San Francisco last year; the previous night she had played her own concert in nearby San Jose. This performance is from [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":14424,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-14422","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/02\/Caballero.jpg?fit=850%2C567&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14422"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14422\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14424"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}