{"id":14548,"date":"2020-03-29T13:03:16","date_gmt":"2020-03-29T20:03:16","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14548"},"modified":"2020-03-30T10:33:06","modified_gmt":"2020-03-30T17:33:06","slug":"this-weeks-sheet-music-pick-celebrating-john-w-duartes-guitar-music","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/this-weeks-sheet-music-pick-celebrating-john-w-duartes-guitar-music\/","title":{"rendered":"This Week&#8217;s Sheet Music Pick: Celebrating John W. Duarte&#8217;s Guitar Music"},"content":{"rendered":"<p>REVIEW BY CHRIS DUMIGAN<\/p>\n<p><em><strong>John W. Duarte : A Celebration of His Music for Guitar<\/strong><\/em><br \/>\nCompositions by Duarte, S.L. Weiss, Antony Holborne, Reginald Smith Brindle, Domenico Scarlatti, Rodrigo Riera, Gaspar Sanz, Alonso Mudarra, Vincenzo Capirola, John Dowland, and M.D. Pujol<em><br \/>\n<\/em>(Universal Edition, 37 pages)<\/p>\n<p>Reflecting <a href=\"https:\/\/classicalguitarmagazine.com\/celebrating-the-centenary-of-jack-duarte-an-appreciation-of-the-composer-and-classical-guitar-champion\/\">John Duarte\u2019s<\/a> career as both a composer and an arranger, this 20-piece set has only three original works, which is perhaps the only negative aspect of this book (as prospective purchasers might have expected more). The three are <em>Spring Dance<\/em> from <em>Tout En Ronde<\/em>, a bouncy quirkily harmonized little gem<em>; Broadway<\/em>, from <em>Americana,<\/em> which has some delightful\u00a0 moments\u00a0 that constantly keep you guessing as to where it might go next, and finally <em>Waltz II<\/em> from the <em>Homage to Antonio Lauro: Three Waltzes,<\/em> a set that was written after the two composers met, and agreed to write homages to each other. All three of the Duarte compositions are superbly written for the guitar and are never boring or hackneyed in their approach.<\/p>\n<p>The other pieces in the book reflect Duarte\u2019s love of arranging, and present a sizable number of Renaissance and Baroque works, some of which\u2014such as the the two S.L. Weiss pieces\u2014needed considerable work to make them playable on the guitar, as they were originally written for the 13-course Baroque lute, which required the elimination or moving of some lower-end notes. Others, like the Dowland , the Holborne\u00a0 and the Capirola (all also originally for Renaissance lute) required fewer adjustments. The three Domenico Scarlatti keyboard works\u2014Sonatas K481, K83, and K208\u2014are lovely arrangements and feel as if they were originally guitar works. The modern works are represented by three composers, the Smith Brindle&#8217;s <em>Corsa<\/em>, from <em>Ten Simple Preludes<\/em>, an unusual work, very much in that composer\u2019s modern style; the two Riera works, <em>Nostalgia<\/em>, and <em>Monotonia<\/em> , from <em>Vier Venezuelanishe Stucke<\/em> , a warmly harmonized Latin set; and finally Maximo Diego Pujol&#8217;s <em>Preludio Triston<\/em>, from the <em>Cinco Preludios<\/em>, a <em>milonga<\/em> that is immediate appealing.<\/p>\n<p>There is plenty here of interest for the moderately advanced\u00a0 player, and I imagine that many who are new to some of these pieces, will want to look up the rest of the movements, having had their appetite whetted by this fine publication.<\/p>\n<p>The book is available from <a href=\"https:\/\/amzn.to\/2JtUJha\">Amazon<\/a>, among other places.<a href=\"https:\/\/amzn.to\/2JtUJha\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"wp-image-14552 size-full aligncenter\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/03\/Duarte-sheet-music.jpg?resize=320%2C428&#038;ssl=1\" alt=\"\" width=\"320\" height=\"428\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/03\/Duarte-sheet-music.jpg?w=320&amp;ssl=1 320w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/03\/Duarte-sheet-music.jpg?resize=224%2C300&amp;ssl=1 224w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/03\/Duarte-sheet-music.jpg?resize=299%2C400&amp;ssl=1 299w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/a><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/NviMmMTfnvM\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/QYFE6eNY8HY\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"ixqoutFBPM\"><p><a href=\"https:\/\/classicalguitarmagazine.com\/celebrating-the-centenary-of-jack-duarte-an-appreciation-of-the-composer-and-classical-guitar-champion\/\">Celebrating the Centenary of Jack Duarte: An Appreciation of the Composer and Classical-Guitar Champion<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Celebrating the Centenary of Jack Duarte: An Appreciation of the Composer and Classical-Guitar Champion&#8221; &#8212; Classical Guitar\" src=\"https:\/\/classicalguitarmagazine.com\/celebrating-the-centenary-of-jack-duarte-an-appreciation-of-the-composer-and-classical-guitar-champion\/embed\/#?secret=ixqoutFBPM\" data-secret=\"ixqoutFBPM\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVIEW BY CHRIS DUMIGAN John W. Duarte : A Celebration of His Music for Guitar Compositions by Duarte, S.L. Weiss, Antony Holborne, Reginald Smith Brindle, Domenico Scarlatti, Rodrigo Riera, Gaspar Sanz, Alonso Mudarra, Vincenzo Capirola, John Dowland, and M.D. Pujol (Universal Edition, 37 pages) Reflecting John Duarte\u2019s career as both a composer and an arranger, this 20-piece set has only three original works, which is perhaps the only negative aspect of this book (as prospective purchasers might have expected more). [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":14553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[133,131,132],"class_list":["post-14548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories","tag-book","tag-duarte","tag-sheet-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/03\/Duarte-image.jpg?fit=480%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14548"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14548\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14553"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}