{"id":14788,"date":"2020-05-28T17:00:21","date_gmt":"2020-05-29T00:00:21","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14788"},"modified":"2020-05-26T15:46:45","modified_gmt":"2020-05-26T22:46:45","slug":"the-acclaimed-collection-of-animal-portraits-finally-on-disc","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/the-acclaimed-collection-of-animal-portraits-finally-on-disc\/","title":{"rendered":"The acclaimed collection of animal portraits \u2013 finally on disc!"},"content":{"rendered":"<p>Sponsored by Welmersson Records:<\/p>\n<p>From an axolotl to a samurai crab, from Domeniconi to Ruders, 35 musical miniatures of small animals and insects for solo guitar, each by a different composer from around the world. Petri Kumela\u00b4s unique bestiary is funny, serious, virtuosic, anarchic, meditative, surprising \u2013 each piece tells its own story, depicting a feature or characteristic of its chosen creature.<\/p>\n<p><a href=\"https:\/\/www.petrikumela.com\/small-creatures-2\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Learn More.<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sponsored by Welmersson Records: From an axolotl to a samurai crab, from Domeniconi to Ruders, 35 musical miniatures of small animals and insects for solo guitar, each by a different composer from around the world. Petri Kumela\u00b4s unique bestiary is funny, serious, virtuosic, anarchic, meditative, surprising \u2013 each piece tells its own story, depicting a feature or characteristic of its chosen creature. Learn More.<\/p>\n","protected":false},"author":16,"featured_media":14789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-14788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/05\/SmallCreatures_740x360.jpg?fit=740%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14788"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14788\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14789"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}