{"id":14802,"date":"2020-05-29T17:34:47","date_gmt":"2020-05-30T00:34:47","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=14802"},"modified":"2020-05-29T17:34:47","modified_gmt":"2020-05-30T00:34:47","slug":"video-pick-of-the-week-sabrina-vlaskalic-plays-de-fallas-homenaje-pour-le-tombeau-de-debussy","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-sabrina-vlaskalic-plays-de-fallas-homenaje-pour-le-tombeau-de-debussy\/","title":{"rendered":"Video Pick of the Week: Sabrina Vlaskalic Plays de Falla&#8217;s &#8216;Homenaje pour le tombeau de Debussy&#8217;"},"content":{"rendered":"<p>I thought I had seen all the extant video of the late, great Sabrina Vlaskalic\u2014the extraordinary Serbian guitarist who died tragically in a bicycle accident in January of 2019, on the day before her 30th birthday\u2014but somehow this one had eluded me. During a time in which thousands of people all over the world are dying during a pandemic, there is something that feels eerily appropriate about showcasing the departed guitarist&#8217;s version of Manuel de Falla&#8217;s famous 1920 piece <em>Homenaje pour le tombeau de Debussy<\/em>, which was the great Spanish composer&#8217;s tribute to one of his strongest influences, Claude Debussy, who had died in 1918. Indeed Falla&#8217;s work was one of ten commissioned by the French journal <i>La Revue musicale<\/i> to honor Debussy; other &#8220;names&#8221; included giants Maurice Ravel, Erik Satie, and Igor Stravinsky.<\/p>\n<p>It&#8217;s a somber but deeply stirring work\u2014popular with classical guitarists since Falla&#8217;s good friend Andr\u00e9s Segovia showcased it\u2014and not surprisingly, Sabrina&#8217;s version is thoughtful and evocative. She is still greatly missed by the classical guitar community! \u2014<em>Blair Jackson<\/em><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"fn81rHf4lJ\"><p><a href=\"https:\/\/classicalguitarmagazine.com\/sabrina-vlaskalic-1989-2019-a-great-talent-is-silenced\/\">Sabrina Vlaskalic, 1989-2019: A Great Talent Is Silenced<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Sabrina Vlaskalic, 1989-2019: A Great Talent Is Silenced&#8221; &#8212; Classical Guitar\" src=\"https:\/\/classicalguitarmagazine.com\/sabrina-vlaskalic-1989-2019-a-great-talent-is-silenced\/embed\/#?secret=fn81rHf4lJ\" data-secret=\"fn81rHf4lJ\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"959iQQlYDD\"><p><a href=\"https:\/\/classicalguitarmagazine.com\/sabrina-vlaskalics-early-struggles-give-way-to-new-confidence\/\">Sabrina Vlaskalic&#8217;s Early Struggles Give Way to New Confidence<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Sabrina Vlaskalic&#8217;s Early Struggles Give Way to New Confidence&#8221; &#8212; Classical Guitar\" src=\"https:\/\/classicalguitarmagazine.com\/sabrina-vlaskalics-early-struggles-give-way-to-new-confidence\/embed\/#?secret=959iQQlYDD\" data-secret=\"959iQQlYDD\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I thought I had seen all the extant video of the late, great Sabrina Vlaskalic\u2014the extraordinary Serbian guitarist who died tragically in a bicycle accident in January of 2019, on the day before her 30th birthday\u2014but somehow this one had eluded me. During a time in which thousands of people all over the world are dying during a pandemic, there is something that feels eerily appropriate about showcasing the departed guitarist&#8217;s version of Manuel de Falla&#8217;s famous 1920 piece Homenaje [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":14807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-14802","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/05\/sabrina-1.jpg?fit=500%2C374&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=14802"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/14802\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/14807"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=14802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=14802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=14802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}