{"id":15095,"date":"2020-08-23T09:20:07","date_gmt":"2020-08-23T16:20:07","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15095"},"modified":"2020-08-23T09:27:09","modified_gmt":"2020-08-23T16:27:09","slug":"video-pick-of-the-week-stephanie-jones-plays-pernambucos-sons-de-carrilhoes","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-stephanie-jones-plays-pernambucos-sons-de-carrilhoes\/","title":{"rendered":"Video Pick of the Week: Stephanie Jones Plays Pernambuco&#8217;s &#8216;Sons de Carrilh\u00f5es&#8217;"},"content":{"rendered":"<p>This week&#8217;s Video Pick is a performance by one of our favorite young guitarists, <a href=\"https:\/\/stephaniejonesguitar.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Stephanie Jones<\/a>, who hails from Australia, but has really made a name for herself in Germany, where she studied at the University of Music Franz Liszt in Weimar.\u00a0 We have also featured her in video clips with the exciting <a href=\"https:\/\/classicalguitarmagazine.com\/ensemble-video-week-no-3-weimar-guitar-quartet-plays-sergio-assads-uarekena\/\" target=\"_blank\" rel=\"noopener noreferrer\">Weimar Guitar Quartet<\/a>. Here, she plays one of the best-known pieces by the great Brazilian musician and composer <a href=\"https:\/\/pt.wikipedia.org\/wiki\/Jo\u00e3o_Pernambuco\" target=\"_blank\" rel=\"noopener noreferrer\">Jo\u00e3o Pernambuco<\/a> (Jo\u00e3o Teixeira Guimar\u00e3es; 1883\u20131947)) who, in the first half of the 20th century, helped popularize various folk\/dance music styles in works, including <em>ch\u00f4ros<\/em>, <em>jongos<\/em>, <em>valses<\/em>, and others. Pernambuco made the first recording of <em>Sons de Carrilh\u00f5es<\/em> (literally &#8220;chime sounds&#8221;) in 1926, and it has been a part of the classical guitar repertoire for many years now as Brazilian repertoire has become more and more accepted in that world. Why, it&#8217;s practically a &#8220;standard&#8221; at this point! \u2014<em>Blair Jackson<\/em><\/p>\n<figure id=\"attachment_15099\" aria-describedby=\"caption-attachment-15099\" style=\"width: 518px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"size-full wp-image-15099\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/08\/joao_pernambuco_.jpg?resize=518%2C504&#038;ssl=1\" alt=\"\" width=\"518\" height=\"504\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/08\/joao_pernambuco_.jpg?w=518&amp;ssl=1 518w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/08\/joao_pernambuco_.jpg?resize=300%2C292&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/08\/joao_pernambuco_.jpg?resize=411%2C400&amp;ssl=1 411w\" sizes=\"(max-width: 518px) 100vw, 518px\" \/><figcaption id=\"caption-attachment-15099\" class=\"wp-caption-text\">Jo\u00e3o Pernambuco<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s Video Pick is a performance by one of our favorite young guitarists, Stephanie Jones, who hails from Australia, but has really made a name for herself in Germany, where she studied at the University of Music Franz Liszt in Weimar.\u00a0 We have also featured her in video clips with the exciting Weimar Guitar Quartet. Here, she plays one of the best-known pieces by the great Brazilian musician and composer Jo\u00e3o Pernambuco (Jo\u00e3o Teixeira Guimar\u00e3es; 1883\u20131947)) who, in the [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":15101,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-15095","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/08\/stephanie-jones-e1598200004919.jpg?fit=800%2C636&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15095"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15101"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}