{"id":15483,"date":"2020-12-04T16:24:13","date_gmt":"2020-12-05T00:24:13","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15483"},"modified":"2020-12-04T16:24:16","modified_gmt":"2020-12-05T00:24:16","slug":"video-pick-of-the-week-the-virtual-guitar-orchestra-goes-flamenco-on-adam-del-montes-relampinos","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-the-virtual-guitar-orchestra-goes-flamenco-on-adam-del-montes-relampinos\/","title":{"rendered":"Video Pick of the Week: The Virtual Guitar Orchestra Goes Flamenco on Adam Del Monte&#8217;s &#8216;Relampi\u00f1os&#8217;"},"content":{"rendered":"\n<p>Unquestionably, one of the coolest and most inspiring things to come out of the pandemic lockdown in the classical guitar world is the <a rel=\"noreferrer noopener\" href=\"https:\/\/virtualguitarorchestra.com\/\" target=\"_blank\">Virtual Guitar Orchestra<\/a>, a huge, free-floating, variably sized guitar army that has come together (virtually, and appropriately socially distanced, of course) a few times over the past year for a series of amazing performances of brilliantly arranged pieces. The ever-shifting international cast of guitarists spans everything from guitar students to the most skilled and well-known professionals. If you follow classical guitar fairly closely, you&#8217;ll undoubtedly encounter many names you know.  Somehow, the performances never seem unwieldy or cluttered-sounding. It feels like everyone is serving the overall sound and vibe instead of competing for attention\u2014yet there are always many moments of sheer virtuosity that take your breath away.<\/p>\n\n\n\n<p>This latest amalgamation finds another stellar group performing the world premiere of an Adam Del Monte flamenco piece called <em>Relampin\u00f1os, <\/em>which my handy Goggle translator tells me means &#8220;whipping&#8221; in Spanish. Among the scores of players who appear (sometimes labeled) are, from the classical side, Angel Romero, Eliot  Fisk , Rene Izquierdo, Goran Krivokapi\u0107,\u00a0Rafael Aguirre,\u00a0Vladimir Gorbach,\u00a0Anabel Montesinos,\u00a0Joaquin Clerch,\u00a0Jiji Kim,\u00a0Artyom Dervoed, Laura Oltman,\u00a0Michael Newman,\u00a0Denis Azabagi\u0107,\u00a0Kyuhee Park, and Evan Taucher, among many others. However, the sometimes blistering solos mid-piece all come from great flamenco players, including (in order of their solos) Am\u00f3s Lora, Pedro Sierra, Samuelito, Vahagni, and\u00a0Adam Del Monte. Fantastic! <\/p>\n\n\n\n<p>Major props to VGO creators Mak Grgic, Adam Del Monte and Uros Baric; to main sponsors the GSI Foundation and Augustine Strings; and supporters Strings By Mail and the Connecticut Guitar Festival. Would it sound greedy to ask for MORE?! \u2014<em>Blair Jackson<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Virtual Guitar Orchestra performs &quot;Relampi\u00f1os&quot; by Adam Del Monte\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/SV69EXY_K0o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>And in case you missed these earlier ones:<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Virtual Guitar Orchestra - KALEIDOKITHARA by Sergio Assad\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/nXMOEGl4xSY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"200 Guitarists from 40 Countries: Virtual Guitar Orchestra plays Assad\u2019s \u201cScient, Safe and Sane\u201d\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/MXotkK7M1fk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Unquestionably, one of the coolest and most inspiring things to come out of the pandemic lockdown in the classical guitar world is the Virtual Guitar Orchestra, a huge, free-floating, variably sized guitar army that has come together (virtually, and appropriately socially distanced, of course) a few times over the past year for a series of amazing performances of brilliantly arranged pieces. The ever-shifting international cast of guitarists spans everything from guitar students to the most skilled and well-known professionals. If [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":15495,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-15483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/12\/VGO-3-e1607127051120.jpg?fit=648%2C421&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15483"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15483\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15495"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}