{"id":15554,"date":"2020-12-17T18:00:00","date_gmt":"2020-12-18T02:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15554"},"modified":"2020-12-17T12:28:13","modified_gmt":"2020-12-17T20:28:13","slug":"benefit-from-legacy","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/benefit-from-legacy\/","title":{"rendered":"Benefit from legacy!"},"content":{"rendered":"\n<p><em>From our friends at DePaul University:<\/em><\/p>\n\n\n\n<p>Richard Pick was the founder of the classical guitar program at DePaul University School of Music and contemporary of the legendary Andr\u00e9s Segovia. To honor Richard Pick\u2019s legacy, one of his former students created an endowed scholarship for classical guitar study. This award is renewable annually for all four years of study.&nbsp; Apply now! Deadline is January 5, 2021.<\/p>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/bit.ly\/PickScholarship\" target=\"_blank\">Learn More<\/a><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From our friends at DePaul University: Richard Pick was the founder of the classical guitar program at DePaul University School of Music and contemporary of the legendary Andr\u00e9s Segovia. To honor Richard Pick\u2019s legacy, one of his former students created an endowed scholarship for classical guitar study. This award is renewable annually for all four years of study.&nbsp; Apply now! Deadline is January 5, 2021. Learn More.<\/p>\n","protected":false},"author":16,"featured_media":15555,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[19],"tags":[],"class_list":["post-15554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sponsored"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2020\/12\/Classical-Guitar-e-news-header.png?fit=740%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15554","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15554"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15554\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15555"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}