{"id":15712,"date":"2021-01-29T05:00:00","date_gmt":"2021-01-29T13:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15712"},"modified":"2021-06-29T15:43:16","modified_gmt":"2021-06-29T22:43:16","slug":"classical-guitar-music-to-play-prelude-no-7-f-by-chopin-arr-tarrega","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-prelude-no-7-f-by-chopin-arr-tarrega\/","title":{"rendered":"Classical Guitar Music to Play: Prelude No. 7\/F by Chopin (Arr. Tarrega)"},"content":{"rendered":"\n
Edited by Neil Smith<\/h5>\n\n\n\n

In this arrangement of the beautiful Prelude by Chopin, don\u2019t be afraid to play quietly as indicated, using the dynamic extreme sparingly. The large chord in line 4 may be made easier if you wish by omitting the lower B (bass). My fingering uses many slides and several prepared fingers; line 3 bar 2 for example has D held by finger 2; this will slide (in advance) to F# at fret 7 in the next bar. The finger 2 is also prepared at the opening of the piece (F#). Vibrato is still effective if more than one finger is pressing on the fingerboard and this aspect of technique is worth study. (Click the image below for a larger, printable version.<\/em>)<\/p>\n\n\n\n

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Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n

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\"Chopin<\/a><\/figure><\/div>\n\n\n\n

This music supplement was originally printed in the November\/December 1982 issue of <\/em>Classical Guitar.<\/em><\/p>\n\n\n\n

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Play \u2018Clair de Lune\u2019 by Debussy on Classical Guitar<\/a><\/blockquote>