{"id":15791,"date":"2021-02-05T05:00:00","date_gmt":"2021-02-05T13:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15791"},"modified":"2021-02-04T14:09:44","modified_gmt":"2021-02-04T22:09:44","slug":"classical-guitar-music-to-play-allegretto-k-581-by-mozart-arr-martin-grayson","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-allegretto-k-581-by-mozart-arr-martin-grayson\/","title":{"rendered":"Classical Guitar Music to Play: Allegretto K.581 by Mozart (Arr. Martin Grayson)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p><em>This innocuous looking transcription holds several technical points. A light staccato, created by either hand has to be obtained. The beginning of the second section requires legato playing. At places marked 1 the bass strings must be damped (I use the right hand but as long as you listen carefully any technique might be acceptable). The trills at 2 begin on the lower note as this is a classical trill, not the baroque trill which guitarists are now most familiar with. \u2014M.G.<\/em><\/p>\n\n\n\n<p>Martin Grayson has supplied the above information about the music; adventurous players may like to try my alternative fingering for bar 9. This avoids the \u201cleap\u201d from E to B with 4.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1000\" height=\"1522\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-Mozart-alegretto-from-clarinet-quintet-k581.jpg?resize=1000%2C1522&#038;ssl=1\" alt=\"\" class=\"wp-image-15792\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-Mozart-alegretto-from-clarinet-quintet-k581.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-Mozart-alegretto-from-clarinet-quintet-k581.jpg?resize=197%2C300&amp;ssl=1 197w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-Mozart-alegretto-from-clarinet-quintet-k581.jpg?resize=263%2C400&amp;ssl=1 263w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-Mozart-alegretto-from-clarinet-quintet-k581.jpg?resize=768%2C1169&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-Mozart-alegretto-from-clarinet-quintet-k581.jpg?resize=770%2C1172&amp;ssl=1 770w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p><em>This music supplement was originally printed in the November\/December 1982 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edited by Neil Smith This innocuous looking transcription holds several technical points. A light staccato, created by either hand has to be obtained. The beginning of the second section requires legato playing. At places marked 1 the bass strings must be damped (I use the right hand but as long as you listen carefully any technique might be acceptable). The trills at 2 begin on the lower note as this is a classical trill, not the baroque trill which guitarists [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":15793,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[156,46,132],"class_list":["post-15791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-mozart","tag-musictoplay","tag-sheet-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-mozart-clarinet-allegretto.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15791"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15791\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15793"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}