{"id":15806,"date":"2021-02-12T05:00:00","date_gmt":"2021-02-12T13:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15806"},"modified":"2021-07-13T15:11:20","modified_gmt":"2021-07-13T22:11:20","slug":"classical-guitar-music-to-play-reverie-by-eric-satie-arr-martin-grayson","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-reverie-by-eric-satie-arr-martin-grayson\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Reverie\u2019 by Satie, Arr. Martin Grayson"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p><em>Erik Satie (1866-1925) is now most famous for his <\/em>Gymnopedies<em> of 1888. Originally piano pieces, they are now known in many other guises such as full orchestra (by Debussy) or guitar solo\/duet. The <\/em>Reverie<em> here is his penultimate piano piece dating from around 1920. Satie was fond of using enigmatic titles. Pantagruel is a character in Rabelais. \u2014M.G.<\/em><\/p>\n\n\n\n<p>The following technical points should be noted. In bar 22, preplace the 2 behind the 3 on C ready for the slide along (3). In 27 and 28, keep the 1 on all thro&#8217; to guide. Final bar, include 3 on bass C to silence the previous bass Bb. Suggested tempo=70\u2013100.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1109\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?resize=800%2C1109&#038;ssl=1\" alt=\"\" class=\"wp-image-15807\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?resize=216%2C300&amp;ssl=1 216w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?resize=289%2C400&amp;ssl=1 289w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?resize=768%2C1065&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-1.jpg?resize=770%2C1067&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1105\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?resize=800%2C1105&#038;ssl=1\" alt=\"\" class=\"wp-image-15808\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?resize=217%2C300&amp;ssl=1 217w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?resize=290%2C400&amp;ssl=1 290w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?resize=768%2C1061&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Satie-Reverie-2.jpg?resize=770%2C1064&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<p><em>This music supplement originally appeared in the Jan-Feb 1983 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/store.acousticguitar.com\/products\/digital-archive-2009-2019\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"600\" height=\"200\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/08\/AG-SUB-SALE-HEADER-1.png?resize=600%2C200&#038;ssl=1\" alt=\"Classical Guitar: the digital archive instand download\" class=\"wp-image-16627\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/08\/AG-SUB-SALE-HEADER-1.png?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/08\/AG-SUB-SALE-HEADER-1.png?resize=300%2C100&amp;ssl=1 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"<p>The Reverie arranged here for classical guitar is Satie&#8217;s penultimate piano piece dating from around 1920.<\/p>\n","protected":false},"author":23,"featured_media":15809,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"The Reverie arranged here for classical guitar is Satie's penultimate piano piece dating from around 1920.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[49,132],"class_list":["post-15806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-music-to-play","tag-sheet-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/eric-satie-reverie-classical-guitar.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15806"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15806\/revisions"}],"predecessor-version":[{"id":16544,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15806\/revisions\/16544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15809"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}