{"id":15826,"date":"2021-02-19T05:00:00","date_gmt":"2021-02-19T13:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15826"},"modified":"2021-02-18T15:19:06","modified_gmt":"2021-02-18T23:19:06","slug":"classical-guitar-music-to-play-berceuse-by-albeniz-arr-j-morel","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-berceuse-by-albeniz-arr-j-morel\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Berceuse\u2019 by Alb\u00e9niz (arr. J. Morel)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>This is a most appealing arrangement for all Alb\u00e9niz fans. The title (suggesting a lullaby) is the best guide to tempo, the chords at the opening should be fingered to allow smooth left hand movement. Notice the dominant pedal (a frequent device in this style of music) appearing throughout the work. Links of this type can be a great aid to the memory. In bar 39, the A would work as a harmonic if the reach to VII is difficult.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1118\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-1.jpg?resize=800%2C1118&#038;ssl=1\" alt=\"\" class=\"wp-image-15828\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-1.jpg?resize=215%2C300&amp;ssl=1 215w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-1.jpg?resize=286%2C400&amp;ssl=1 286w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-1.jpg?resize=768%2C1073&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-1.jpg?resize=770%2C1076&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1177\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-2.jpg?resize=800%2C1177&#038;ssl=1\" alt=\"\" class=\"wp-image-15829\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-2.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-2.jpg?resize=204%2C300&amp;ssl=1 204w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-2.jpg?resize=272%2C400&amp;ssl=1 272w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-2.jpg?resize=768%2C1130&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/Berceuse-2.jpg?resize=770%2C1133&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n\n\n\n<p><em>This music supplement was originally printed in the September-October 1983 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edited by Neil Smith This is a most appealing arrangement for all Alb\u00e9niz fans. The title (suggesting a lullaby) is the best guide to tempo, the chords at the opening should be fingered to allow smooth left hand movement. Notice the dominant pedal (a frequent device in this style of music) appearing throughout the work. Links of this type can be a great aid to the memory. In bar 39, the A would work as a harmonic if the reach [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":15830,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[49],"class_list":["post-15826","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-music-to-play"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/albeniz-berceuse.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15826"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15826\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15830"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}