{"id":15839,"date":"2021-02-26T07:46:13","date_gmt":"2021-02-26T15:46:13","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15839"},"modified":"2021-02-26T07:46:17","modified_gmt":"2021-02-26T15:46:17","slug":"classical-guitar-music-to-play-estudio-by-tarrega","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-estudio-by-tarrega\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Estudio\u2019 by T\u00e1rrega"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>Francisco T\u00e1rrega (1852\u20131909), is a Spanish composer often referred to as the &#8220;father of classical guitar.&#8221; One of his most well known pieces, <a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/classical-guitar-method-how-to-play-tarregas-challenging-recuerdos-de-la-alhambra\/\" target=\"_blank\">Recuerdos de la Alhambra<\/a>, is considered standard repertoire for classical guitarists.<\/p>\n\n\n\n<p>In this &#8220;Estudio,&#8221; use the following in Bar 2 to enable the 4th finger to slide up the 1st string. Often, an easy (2nd bar) fingering is used here but really, the 4th finger should remain in touch to connect the patterns.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1146\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?resize=800%2C1146&#038;ssl=1\" alt=\"\" class=\"wp-image-15841\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?resize=279%2C400&amp;ssl=1 279w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?resize=768%2C1100&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/tarrega-estudio.jpg?resize=770%2C1103&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<p><em>This music supplement was originally printed in the December 1988 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-classical-guitar wp-block-embed-classical-guitar\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"XmQgqhI9Ix\"><a href=\"https:\/\/classicalguitarmagazine.com\/classical-guitar-method-how-to-play-tarregas-challenging-recuerdos-de-la-alhambra\/\">Classical Guitar Method: How to Play T\u00e1rrega\u2019s Challenging \u2018Recuerdos de la Alhambra\u2019<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Classical Guitar Method: How to Play T\u00e1rrega\u2019s Challenging \u2018Recuerdos de la Alhambra\u2019&#8221; &#8212; Classical Guitar\" src=\"https:\/\/classicalguitarmagazine.com\/classical-guitar-method-how-to-play-tarregas-challenging-recuerdos-de-la-alhambra\/embed\/#?secret=XmQgqhI9Ix\" data-secret=\"XmQgqhI9Ix\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Edited by Neil Smith Francisco T\u00e1rrega (1852\u20131909), is a Spanish composer often referred to as the &#8220;father of classical guitar.&#8221; One of his most well known pieces, Recuerdos de la Alhambra, is considered standard repertoire for classical guitarists. In this &#8220;Estudio,&#8221; use the following in Bar 2 to enable the 4th finger to slide up the 1st string. Often, an easy (2nd bar) fingering is used here but really, the 4th finger should remain in touch to connect the patterns. [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":15840,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[49],"class_list":["post-15839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-music-to-play"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/02\/CG-tarrega-estudio.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15839"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15839\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15840"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}