{"id":15858,"date":"2021-03-05T05:00:00","date_gmt":"2021-03-05T13:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15858"},"modified":"2021-03-04T15:00:25","modified_gmt":"2021-03-04T23:00:25","slug":"classical-guitar-music-to-play-prelude-xxii-by-j-s-bach-arr-peter-ecker","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-prelude-xxii-by-j-s-bach-arr-peter-ecker\/","title":{"rendered":"Classical Guitar Music to Play: Prelude XXII by J.S. Bach (Arr. Peter Ecker)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>The original key for this work is B flat minor and the transposition here allows the use of open basses not otherwise available. The opening figure, appearing in so many transformations and the special qualities in the chord textures, make this version most interesting. Use the capo at fret one to restore the original key.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1164\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?resize=800%2C1164&#038;ssl=1\" alt=\"\" class=\"wp-image-15860\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?resize=206%2C300&amp;ssl=1 206w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?resize=275%2C400&amp;ssl=1 275w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?resize=768%2C1117&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Prelude-XXII-Bach.jpg?resize=770%2C1120&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<p><em>This music supplement was originally printed in the November-December 1983 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edited by Neil Smith The original key for this work is B flat minor and the transposition here allows the use of open basses not otherwise available. The opening figure, appearing in so many transformations and the special qualities in the chord textures, make this version most interesting. Use the capo at fret one to restore the original key. This music supplement was originally printed in the November-December 1983 issue of Classical Guitar.<\/p>\n","protected":false},"author":23,"featured_media":15861,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[49],"class_list":["post-15858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-music-to-play"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/Bach-prelude-XXII.jpg?fit=700%2C400&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15858"}],"version-history":[{"count":2,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15858\/revisions"}],"predecessor-version":[{"id":15862,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15858\/revisions\/15862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15861"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}