{"id":15949,"date":"2021-03-18T18:00:00","date_gmt":"2021-03-19T01:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=15949"},"modified":"2021-03-18T18:03:20","modified_gmt":"2021-03-19T01:03:20","slug":"classical-guitar-music-to-play-dolly-berceuse-by-faure-arr-peter-newbery","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-dolly-berceuse-by-faure-arr-peter-newbery\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Dolly (Berceuse)\u2019 by Faur\u00e9 (arr. Peter Newbery)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>Guitar 1 has some high passagework here. In particular, bars 67\u201370; here in the bass, only the initial G is 8va higher; the remaining three notes in each bar are at correct pitch.<\/p>\n\n\n\n<p><em>This music supplement was originally printed in the October 1985 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1112\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?resize=800%2C1112&#038;ssl=1\" alt=\"\" class=\"wp-image-15951\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?resize=216%2C300&amp;ssl=1 216w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?resize=288%2C400&amp;ssl=1 288w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?resize=768%2C1068&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-1.jpg?resize=770%2C1070&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1032\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?resize=800%2C1032&#038;ssl=1\" alt=\"\" class=\"wp-image-15952\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?resize=233%2C300&amp;ssl=1 233w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?resize=310%2C400&amp;ssl=1 310w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?resize=768%2C991&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-2.jpg?resize=770%2C993&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1052\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?resize=800%2C1052&#038;ssl=1\" alt=\"\" class=\"wp-image-15953\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?resize=228%2C300&amp;ssl=1 228w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?resize=304%2C400&amp;ssl=1 304w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?resize=768%2C1010&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/faure-dolly-3.jpg?resize=770%2C1013&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Edited by Neil Smith Guitar 1 has some high passagework here. In particular, bars 67\u201370; here in the bass, only the initial G is 8va higher; the remaining three notes in each bar are at correct pitch. This music supplement was originally printed in the October 1985 issue of Classical Guitar.<\/p>\n","protected":false},"author":23,"featured_media":15956,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[46],"class_list":["post-15949","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-musictoplay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/03\/CG-Faure-Dolly.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=15949"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15949\/revisions"}],"predecessor-version":[{"id":15957,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/15949\/revisions\/15957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/15956"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=15949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=15949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=15949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}