{"id":16029,"date":"2021-04-16T05:00:00","date_gmt":"2021-04-16T12:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16029"},"modified":"2021-04-29T09:49:10","modified_gmt":"2021-04-29T16:49:10","slug":"classical-guitar-music-to-play-carolans-receipt-for-drinking-furlough-ocarolan-arr-zoe-anne-watley","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-carolans-receipt-for-drinking-furlough-ocarolan-arr-zoe-anne-watley\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Carolan&#8217;s Receipt for Drinking\/Furlough O&#8217;Carolan\u2019 (arr. Zoe-Anne Watley)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>Turlough O&#8217;Carolan was a blind Celtic harper, composer and singer in Ireland (1670\u20131738). The interest in this famous \u201charper\u201d has grown in recent years and this tuneful, rhythmic piece fits very neatly on the guitar. The fingering is by the arranger.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"900\" height=\"1235\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?resize=900%2C1235&#038;ssl=1\" alt=\"\" class=\"wp-image-16030\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?w=900&amp;ssl=1 900w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?resize=219%2C300&amp;ssl=1 219w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?resize=291%2C400&amp;ssl=1 291w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?resize=768%2C1054&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking.jpg?resize=770%2C1057&amp;ssl=1 770w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n\n\n\n<p><em>This music supplement was originally printed in the January 1986 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The interest in this famous \u201charper\u201d has grown in recent years and this tuneful, rhythmic piece fits very neatly on the guitar.<\/p>\n","protected":false},"author":23,"featured_media":16031,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Turlough O'Carolan was a blind Celtic harper, composer and singer in Ireland (1670\u20131738). This tuneful, rhythmic piece of his fits very neatly on the guitar.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[46],"class_list":["post-16029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-musictoplay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/carolans-receipt-for-drinking-1.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16029"}],"version-history":[{"count":2,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16029\/revisions"}],"predecessor-version":[{"id":16033,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16029\/revisions\/16033"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16031"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}