{"id":16133,"date":"2016-05-01T10:07:00","date_gmt":"2016-05-01T17:07:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16133"},"modified":"2021-04-29T10:34:37","modified_gmt":"2021-04-29T17:34:37","slug":"summer-2016","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/summer-2016\/","title":{"rendered":"Summer 2016"},"content":{"rendered":"\n
\"CG<\/a><\/figure><\/div>\n\n\n\n

Click here to buy this issue<\/a><\/strong><\/h2>\n\n\n\n

Or, download the Classical Guitar<\/em> digital archive<\/a> and save 69%!<\/p>\n\n\n\n

Issue #382<\/strong><\/p>\n\n\n\n

On the Cover: Legendary guitarist John Williams just turned 75, but he\u2019s not resting on his laurels; here he talks about his 50-year recording career. Special Focus: Luthiers Past & Present, with stories on \u201cThe Art of the Guitar Maker,\u201d double-top luthier Gernot Wagner, Stephan Connor on building guitars in Granada, and Sheldon Urlik and his comprehensive book on Spanish Guitars. Also: John Schneider\u2019s intriguing tuning explorations, Benjamin Verdery on playing and composing outside the box, Virginia Luque\u2019s varied career, flamenco master guitarist Tomatito, tips on improvisation from top guitarists, the art of practice and preparation, and digging deep into a Villa-Lobos etude. Plus, reviews of CDs by Ali Arango, Matthew McAllister, Pepe Romero and Daniel Ho, Ekachi Jearakul, and others; and sheet music from Stephen Goss, Angelo Gilardino, Sebastien Linares, Pat Coldrick, et al. Lots more!<\/p>\n\n\n\n

\n\n\n\n

For more stories about the rich history of classical guitar, check out the Classical Guitar magazine<\/em> digital archives<\/a>. Read interviews and profiles of artists\u00a0like Andres Segovia, Ana Vidovic, Milos Karadaglic, Xuefei Yang, David Starobin, Jason Vieaux, Sharon Isbin, John Williams, Virginia Luque, Roland Dyens, Berta Rojas, Julian Bream, Leo Brouwer, and so many more. Each issue is available to download instantly<\/a> and covers the full spectrum of people, instruments, music, and ideas that matter to the classical guitar community.<\/p>\n","protected":false},"excerpt":{"rendered":"

In this issue of Classical Guitar magazine, John Williams talks about his 50-year recording career. Special Focus: Luthiers Past & Present.<\/p>\n","protected":false},"author":10,"featured_media":16135,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"In this issue of Classical Guitar magazine, John Williams talks about his 50-year recording career. Special Focus: Luthiers Past & Present.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[247],"class_list":["post-16133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine","tag-summer-2016-issue"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/05\/CG382_large.jpg?fit=364%2C480&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16133"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16133\/revisions"}],"predecessor-version":[{"id":16134,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16133\/revisions\/16134"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16135"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}