{"id":16139,"date":"2016-11-11T10:34:00","date_gmt":"2016-11-11T18:34:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16139"},"modified":"2021-04-29T10:43:23","modified_gmt":"2021-04-29T17:43:23","slug":"winter-2016","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/winter-2016\/","title":{"rendered":"Winter 2016"},"content":{"rendered":"\n
\"Scott<\/figure><\/div>\n\n\n\n

Click here to buy this issue<\/a><\/strong><\/h2>\n\n\n\n

Or, download the Classical Guitar<\/em> digital archive<\/a> and save 69%!<\/p>\n\n\n\n

Issue #384<\/strong><\/p>\n\n\n\n

On the cover: Scott Tennant\u2014a founding member of the Los Angeles Guitar Quartet, author of the popular instructional book Pumping Nylon<\/a><\/em>, and a successful soloist\u2014recently recorded a CD that showcases a largely unexamined side of Andr\u00e9s Segovia\u2019s genius: his work as a composer. This exclusive interview delves deeply into Tennant\u2019s important project and the magical Segovia-owned guitar used to make it. Special Focus: Performance, with articles offering tips on preparation, understanding appropriate repertoire, and juggling teaching with performing. Also: Profiles of England\u2019s Vida Quartet, the ever-adventurous David Starobin, young French phenom Thibaut Garcia, Spaniard Anabel Montesinos, and Hawaiian-Classical artist Ian O\u2019Sullivan; Pablo S\u00e1inz Villegas writes about his tour of Japan; Kathrin Hauser is helping keep a guitar-making dynasty going; Method: Mastering Sor through Segovia; Music to Play: \u201cBorn and Raised,\u201d a Hawaiian-classical piece; reviews of CDs, print music, Journey Instruments\u2019 collapsible guitar, Monica Esparza\u2019s outstanding custom classical model; lots more!<\/p>\n\n\n\n

\n\n\n\n

For more stories about the rich history of classical guitar, check out the Classical Guitar magazine<\/em> digital archives<\/a>. Read interviews and profiles of artists\u00a0like Andres Segovia, Ana Vidovic, Milos Karadaglic, Xuefei Yang, David Starobin, Jason Vieaux, Sharon Isbin, John Williams, Virginia Luque, Roland Dyens, Berta Rojas, Julian Bream, Leo Brouwer, and so many more. Each issue is available to download instantly<\/a> and covers the full spectrum of people, instruments, music, and ideas that matter to the classical guitar community.<\/p>\n","protected":false},"excerpt":{"rendered":"

Scott Tennant showcases the unexamined side of Segovia’s genius: his work as a composer. Plus tips on performance, preparation, choosing appropriate repertoire.<\/p>\n","protected":false},"author":10,"featured_media":16140,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Scott Tennant showcases the unexamined side of Segovia's genius: his work as a composer. Plus tips on performance, preparation, choosing appropriate repertoire.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[249],"class_list":["post-16139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine","tag-winter-2016-issue"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/04\/CG_384_large.jpg?fit=364%2C480&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16139"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16139\/revisions"}],"predecessor-version":[{"id":16141,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16139\/revisions\/16141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16140"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}