{"id":16207,"date":"2021-05-17T11:07:16","date_gmt":"2021-05-17T18:07:16","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16207"},"modified":"2021-05-17T11:07:17","modified_gmt":"2021-05-17T18:07:17","slug":"video-pick-of-the-week-karmen-stendler-plays-erik-saties-gnossienne-no-1","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-karmen-stendler-plays-erik-saties-gnossienne-no-1\/","title":{"rendered":"Video Pick of the Week: Karmen \u0160tendler Plays Erik Satie&#8217;s &#8216;Gnossienne No. 1&#8217;"},"content":{"rendered":"\n<p>May 17, 2021 marks the great and eccentric French composer <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Erik_Satie\" target=\"_blank\">Erik Satie<\/a>&#8216;s 155th birthday, so we salute him with this fine version of his compelling and mysterious <em>Gnossienne No. 1<\/em> (originally written for piano) performed by Slovenian guitarist <a rel=\"noreferrer noopener\" href=\"https:\/\/www.karmenstendler.com\/\" target=\"_blank\">Karmen \u0160tendler<\/a>, who also plays with the outstanding <a rel=\"noreferrer noopener\" href=\"http:\/\/weimarguitarquartet.com\/\" target=\"_blank\">Weimar Guitar Quartet<\/a>. <\/p>\n\n\n\n<p>This first of Satie&#8217;s <em>Trois Gnossiennes<\/em> was written in 1890, published in 1893, and has become a veritable fixture in the modern guitar repertoire over the past quarter-century, having been recorded by players such as John Williams, George Sakellariou, Candice Mowbray, Irina Kulikova, J\u00e9r\u00e9my Jouve, Elefteria Kotzia, and many others. \u2014<em>Blair Jackson<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Gnossienne No. 1 (Erik Satie) - Karmen Stendler\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/6crJZ9sHqHs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>May 17, 2021 marks the great and eccentric French composer Erik Satie&#8216;s 155th birthday, so we salute him with this fine version of his compelling and mysterious Gnossienne No. 1 (originally written for piano) performed by Slovenian guitarist Karmen \u0160tendler, who also plays with the outstanding Weimar Guitar Quartet. This first of Satie&#8217;s Trois Gnossiennes was written in 1890, published in 1893, and has become a veritable fixture in the modern guitar repertoire over the past quarter-century, having been recorded [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":16213,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-16207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-watch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/karmen-60-e1621274658400.jpg?fit=800%2C498&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16207"}],"version-history":[{"count":5,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16207\/revisions"}],"predecessor-version":[{"id":16214,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16207\/revisions\/16214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16213"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}