{"id":1621,"date":"2015-05-01T13:58:22","date_gmt":"2015-05-01T20:58:22","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1621"},"modified":"2021-04-29T09:16:59","modified_gmt":"2021-04-29T16:16:59","slug":"summer-2015","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/summer-2015\/","title":{"rendered":"Summer 2015"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignleft size-medium wp-image-1641\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/05\/378_cover-227x300.jpg?resize=400%2C527\" alt=\"CG_378\" width=\"400\" height=\"527\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/05\/378_cover.jpg?resize=227%2C300&amp;ssl=1 227w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/05\/378_cover.jpg?w=700&amp;ssl=1 700w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/products\/no-378-summer-2015\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #378<\/b><\/p>\n<p>2015 Grammy Award-winning guitarist Jason Vieaux talks about his recent CD with harpist Yolanda Kondonassis, and about today\u2019s guitar students. The great Spanish composer Joaqu\u00edn Rodrigo is the subject of a Spotlight section that looks at his famous <em>Concierto de Aranjuez<\/em>, and includes a fond remembrance of the maestro by guitar giant Angel Romero. A Special Focus includes articles on three contemporary luthiers\u2014Gioachino Giussani of Italy, Pete Beer of the UK, and the Pimentel family of the USA. Also: An interview with Christopher Parkening about his long career and the international guitar competition that bears his name; the rise of female flamenco guitarists; C\u00f3rdoba\u2019s new F7 Paco guitar; reviews of classical guitar CDs, sheet music, and live performances; five wrist and hand stretches for guitarists; new products; and more.<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<\/p>\n<p><iframe style=\"width: 320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/378'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/378') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/378';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #378 2015 Grammy Award-winning guitarist Jason Vieaux talks about his recent CD with harpist Yolanda Kondonassis, and about today\u2019s guitar students. The great Spanish composer Joaqu\u00edn Rodrigo is the subject of a Spotlight section that looks at his famous Concierto de Aranjuez, and includes a fond remembrance of the maestro by guitar giant Angel Romero. A Special Focus includes articles on three contemporary luthiers\u2014Gioachino Giussani of Italy, Pete Beer of the UK, and [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":1641,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/05\/378_cover.jpg?fit=700%2C923&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1621"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1621\/revisions"}],"predecessor-version":[{"id":16112,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1621\/revisions\/16112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/1641"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}